This face, carved from wood (unknown at the present which type of wood), measures at 22.8cm and was purchased by the British Museum from the collection of the Somerset Lowry-Corry, 2nd Earl Belmore (1774–1841) in 1843. Originally, this wooden face was made to be attached to a coffin, alas, whether it ever was attached to...
Tjetji is shown in the classic pose of a standing official, with his left leg advanced, a long staff in his left hand, and a sekhem scepter (now lost) held horizontally in his right hand. The arms of this statue were made separately and pegged to the body, and the feet tenoned into a separate...
The goddess Nut is illustrated with a laden fruit tree behind her. Her hair is long and in tresses, and she is adorned with various jewels such as a chaplet, floral collar, and a necklace with pendants. Her arms are decorated with golden bracelets in the form of snakes. A vertical register of hieroglyphs with...
Made from the wood from a sycamore fig tree, this painted statuette of a woman dates from the 18th Dynasty, c. 1427-1353 B.C. The woman depicted wears a beautiful linen white gown that is sleeveless on one side. This style of fashion was seemingly popular among the elite and royalty of the time, as we...
This model of a slaughter house was discovered in a hidden chamber beside twenty-three other models of boats, gardens, and workshops that led to the royal chief steward Meketre’s rock-cut tomb. Meketre started working for the kings of the 11th Dynasty under King Nebhepetre Mentuhotep II and continued to serve them until the early 12th...
This wooden figure of a priestess named Imertnebes was discovered in Thebes and dates from the Middle Kingdom period, c. 1991-1783 B.C. Imertnebes was a high-ranking priestess who bore a title that would eventually be designated for princesses who served as high-priestesses of Amun; “God’s Wife“. Depicted in typical Middle Kingdom fashion, Imertnebes’s figure is...
Mitry (formerly spelt “Merti”) was a senior official and province governor. His tomb’s serdab (statue chamber) contained eleven extraordinarily huge wooden statues. Five are in The Metropolitan Museum of Art’s collection (26.2.2 – 26.2.6); five, including two wooden scribes, are in the Egyptian Museum in Cairo; and one is at Stockholm’s Medlhavsmuseet. Most of these...
This wooden statuette depicts a Middle Kingdom woman with a wig of plaited hair parted in the middle, creating a pigtail appearance. Her real hair can be seen within the middle part of the wig peeking through, with slight painted lines indicating hair strands. Such a hairstyle was usually associated with the goddess Hathor. The...
This Faiyum portrait of a young woman dates from around 100-200 A.D., and depicts an Egyptian woman with hair tied back in a bun and styled in ringlets, wearing a dusty pink and rust tunic, with thick eyebrows, and baretta earrings. She has a slight Mona-Lisa smile as she gazes ahead. These portraits, known as...
Inscribed with, “Wadj-shemsi-su, engendered by Betyu-ka (his father), born of […] (his mother)”, as well as in cursive hieroglyphs, a fragment of Spell 17 from the Book of the Dead, this fragmentary lid belonged to a man who lived during Ancient Egypt’s 18th Dynasty named Wadj-shemsi-su. From approximately 1500–1425 B.C., the coffin lid is made...
