Limestone relief from a building, decorated with a carved scene showing two soldiers. The soldiers can be identified as Nubians (from Southern Egypt-Sudan) on account of the short wigs that they wear. Nubians were seen as one of the traditional enemies of ancient Egypt because their territories bordered Egypt. Nubian soldiers fighting for Egypt were,...
This painted limestone talatat originally came from the dismantled experimental capital of Akhetaten (modern Tel el-Amarna) founded by Akhenaten, but was used as building fodder in Hermopolis, likely during the reign of king Ramesses II. The piece depicts a bald man in a pleated wrapped kilt (shendyt) slaughtering cows. It is possible that the man...
This talatat from Amarna depicts a farmer with his hand within a cow’s mouth, it is likely the farmer is helping the calf to digest its food. Agriculture was the most important thing to cultures of the ancient world, and Egypt was no different. A major part of the Egyptian religion or spirituality itself was...
This limestone talatat shows a depiction of Queen Kiya, secondary wife of Akhenaten, making an offering of a cone of scented fat to the Aten. It is believed, however, that this piece was later reused and usurped to actually depict Akhenaten’s daughter, with his Great Royal Wife Nefertiti, Meritaten. The reason for this belief is...
These talatats (stone fragments) show an Amarna Period scene of Nefertiti within a kiosk upon a royal barge smiting an enemy of Egypt. Usually this pose would be reserved for the king alone, however, as we can see, Nefertiti is clearly depicted in such a position, representing her status at the time of this images’...
This talatat depicts two princesses of king Akhenaten and his wife Nefertiti. Their youth is represented by the hairstyle Egyptologist’s have dubbed the ‘side lock of youth’, a plaited strand or strands of hair on an otherwise shaven head or short hairstyle. This piece was found among the foundations of the Pylon of Ramesses II...
On this block from a temple relief, Akhenaten, recognizable by his elongated features, holds a duck toward the Aten. With one hand he wrings the bird’s neck before offering it to the god. In this relief, the artist has cut the outlines of the figures into the surface in a technique called sunk relief. Sunk...
This relief portrait of Queen Nefertiti comes from a short end of a talatat, a limestone block of standardized size used during the Amarna Period in the building of the Aten temples at Karnak and Akhetaten. The standardized size and their small weight made construction more efficient. The term talatat is most likely derived from...
A fragment of a relief depicts court musicians from the Amarna Period and attendants of the royal family, six ladies in waiting and gentlemen sunshade-bearers. During the Amarna Period the need for speedy erection of new temples for Aten led to the use of smaller, now called Talatat, blocks of stone, which were easier to...
