Statuette of Tutankhamun wearing the white crown and holding staff and flail, carried upon the back of a black leopard. The king is shown standing with his left leg forward on a rectangular pedestal fixed to the back of the leopard. The exaggeration of the king’s features shows the influence of the Amarna style of...
This statue of Senusret III sculpted of black granite was found in the forecourt of the temple of Mentuhotep II at Deir el-Bahari. It was one of the six statues that Senusret III dedicated to the temple of his ancestor Mentuhotep. Senusret restored and endowed this temple, which was the site of an important local...
This standing statue portrays the nobleman Mentuemhat, who played an important role in the clergy of Amun-Re at Karnak and in the administration of Thebes. It shows him as a middle-aged man in the usual striding pose. Although the body was rendered in the traditional artistic style, well built and proportioned, his wrinkled facial features...
This seated figure’s rank of vizier is confirmed by the cord around his neck from which his official badge or seal would have been suspended. The seal would have been tucked into his kilt for safekeeping. Carved from anorthosite gneiss (also known as Khafre diorite, the material associated with the Old Kingdom king Khafre), the...
In this unique marble statue, King Thutmose III is shown kneeling in a pose of worship, offering two Nu vases for libation to Amun-Re. He wears the royal nemes headdress, surmounted by the uraeus, or rearing cobra. His body is well modeled with defined muscles. The king is kneeling on the nine bows, which represent...
This royal face of Thutmose III remained from a head of a statue. The style suggests that the sculpture was done during the first half of the 18th Dynasty, most probably for Thutmose III. Although only parts of this face carved in obsidian remain, it is clear that the features were very delicate. The eyes...
A colossal statue that represents Akhenaten standing with his arms folded, holding the flail and heka scepters. He is depicted with his particular realistic features; long face, narrow eyes, the long protruding chin, and the fleshy lips. The king is shown naked, without any distinctive sexual organ, which is thought, by some Egyptologists to represent...
This statuary group is representing the scribe Pendua and his wife Nefertari. The couple embrace in an unusual depiction, seated on a wide high-backed seat with their arms passing behind the other so that their hands rest on each other’s shoulder. Both Pendua and Nefertari (whose name was the same as the reigning queen) wear...
As the chief intermediary between gods and men, the Egyptian king is often shown kneeling in adoration. This silver statuette was undoubtedly part of a group composition in which the king faced a larger figure of a god. Temple inscriptions suggest that for much of Egypt’s history, silver was valued more highly than gold. However,...
This statue depicts Queen Nofret seated upon a throne, adorned with a Hathor wig characterized by three distinct tresses. One voluminous tress cascades down her back, while two wavy strands are drawn forward, wrapped in slender bands that culminate over her breasts in spirals encircling decorative disks. A uraeus—a rearing cobra—rests on her forehead, symbolising...
