At just 26.3 cm tall, this statuette of king Amenhotep III, is a treasure of the Brooklyn Museum in New York, and for obvious reason. The Brooklyn Museum’s website states that it is unsure whether the statue is made from ebony or yew wood, however, Edward Bleiberg (Curator of Egyptian, Classical, and Ancient Middle Eastern...
This statue of a man called Keki, believed to be a courtier in Ancient Egypt’s Old Kingdom, is a wonderful example of Old Kingdom craftsmanship and fashion. The pencil moustache was seemingly popular among those elite and rich enough to have statues of such quality made of themselves, as the facial hair appears quite often,...
The spectacular “Asyut Dog” is a large limestone statue of what may be a dog, a wolf or a golden jackal – the latter is the most likely. The statue is thought to come from the area surrounding the city of Asyut in Middle Egypt, and more specifically from the vicinity of its sacred animal...
Fragmentary green schist statue of king Mentuhotep VI, the lower legs and base now missing. The king wears the nemes headcloth, with wide striped lappets that extend over the shoulders and a twisted braid at the back. The material is tucked behind the ears, and a faint horizontal band across the forehead. Above this is...
Lord of the sky, solar god, and god of kingship — Horus is among Egypt’s oldest deities. The falcon soaring in the sky embodied the god’s qualities, and Horus was represented as a falcon or falcon-headed man. As heir to the divine kingship of Egypt, he appears here with the royal uraeus (cobra) and the...
This statuette represents the god Anubis or Wepwawet, the jackal guardians of burial sites. The figure is solid cast from copper alloy, and the details of its fur are incised. The figure may originally have decorated the top of a shrine. In some versions of ancient Egyptian religious beliefs Anubis assisted in the mummification and...
This finely executed representation of Thutmose III as a sphinx is made of extremely hard stone. The transition between the head of the king and the powerful feline body has been masked by the nemes headdress and the stylized lion’s mane which forms a bib-like panel on the chest. A short column of inscription running...
In this magnificent example, the face belongs to Senusret III of 12th Dynasty whose features are very distinctive. With the body of a lion and the head of a human, the sphinx symbolically combined the power of the lion with the image of the reigning king. He wears a pleated linen headcloth, called a nemes...
This obsidian head, an exquisite example of Egyptian craftsmanship, was part of a full-length statue depicting King Senwosret III. The king is wearing a nemes headdress, with the sacred serpent (uraeus), representing regal and divine might. In this representation, the artist portrays the sense of a firm yet extremely human figure, showing the load of...
This statue of kneeling captive can be dated to the reign of Pepi II for stylistic reasons. Beginning at least in the mid 5th Dynasty, large sculptures of bound foreign captives appeared in the pharaoh’s pyramid complex. Pepi I and Pepi II had great numbers of them. Statues of prisoners were presumably placed in areas...
