In ancient Egypt, statuary played a significant role in their culture and religious practices. Statues were commonly used to depict gods and goddesses, kings and queens, and other important figures. These sculptures were often made from various materials such as stone, wood, or metal. They were crafted with great attention to detail and were believed to house the spirit like ‘ka statues‘, or essence of the depicted individual. Statues were placed in temples, tombs, and other sacred places, serving as a focal point for worship and offering a physical representation of the divine. The art of statuary in ancient Egypt reflected their beliefs, rituals, and societal hierarchy.
This small statue, which depicts King Akhenaten making offerings, was discovered in a house in the residential area of Tell el-Amarna. This type of statuette served as a figurative embodiment of the human pharaoh, enabling the magic rituals in the celebration of religious rites connected with Aten. Akhenaten was a pharaoh who reigned during the...
This head of an Amarna Period female royal was found within the remnants of the workshop of the sculptor Thutmose. Sculpted from quartz with traces of pigment upon the lips and eyes, the face is that of a young female, possibly and likely a daughter of Akhenaten and Nefertiti, but there is a possibility it...
This bronze statue of a cat is a remarkable example of ancient Egyptian art. The statue, which is likely from the Late Period of Egypt (664-332 BC), depicts a cat in a seated position. The statue is often associated with the goddess Bastet, the goddess of home, fertility, and protector of the childbirth, often depicted...
Anen, also known as Aanen, was an ancient Egyptian nobleman and official during the Eighteenth Dynasty, specifically under the reign of his brother-in-law, Pharaoh Amenhotep III. He held significant roles such as the Chancellor of Lower Egypt, Second of the Four Prophets of Amun, sem-priest of Heliopolis, and was also known as the Greatest of...
This mannequin of king Tutankhamun was located in the annex of his tomb at the Valley of the Kings (KV62) and was found amid other items used in daily life and for ceremonial purposes. It is made of wood covered with a thin layer of plaster, which was then painted. It has a smooth, white...
This distinctive statue depicts Prince Tjau seated in an asymmetrical pose different from the usual cross-legged pose of a scribe at work. His right leg is pulled up in front of him and his left folded beneath each hand is placed on a knee, indicating that he is at rest. He is dressed in a...
Carved and delicately painted, this limestone figurine showcases a mother dog nursing her five pups. Upon a vibrant yellow backdrop, the mother dog is collared and her lead/leash cascades to the floor in a decorative spiral. Her teets are depicted 2-dimensional against the raised limestone 3-dimensional effect of the pups and mother herself. Her face...
This head of a priest, called the Boston Green Head, is the best portrait sculpture known from the Late Period. The face is wonderfully lifelike and individual. Light wavy lines indicate the furrows of his brow, and crow’s feet radiate from the outer corners of his eyes. The top of his nose has a pronounced...
Antinoüs (Antinous. Antinoös. Greek: Ἀντίνοος) was a Greek youth, born in Claudiopolis (present day Bolu, Turkey), in the Roman province of Bithynia et Pontus. By 128 A.D., he had become the Roman Emperor Hadrian’s favourite and lover. Little is known about Antinoüs other than his connection to Hadrian, however, he became a legend after his...
This fragment of a statue base shows a Assyrian man’s head and shoulders. He wears a fringed robe embroidered with rosettes and has long hair and a headband. He also has a beard and a moustache, something that Assyrians were usually depicted with. The man’s complete figure was positioned flat on his belly, his back...
