A painted limestone relief depicting a standing woman in a pleated sheer linen blue dress. The woman wears a luxurious wig which is held in place by a diadem of blossoms. A band ties the wig about mid-way through its length with a knot in the back. This slightly pulls the wig back, exposing the...
This tomb relief shows several Nubian prisoners with negroid features, tightly curled hair and earrings who are seated on the ground submissively as three Egyptian soldiers with batons watch over them. Depicted in sunk relief is also a scribe who is writing a report. A scribe is writing a report about the occurrence and is selecting...
This relief illustrates Horemheb’s military encampment: above, two soldiers watch horses teamed to war chariots as an officer hurries off, below, another officer escorts two water bearers, a messenger on horseback is arriving or departing, and a group of soldiers is carrying a heavy load on their shoulders, a beam or perhaps Horemheb’s rolled-up tent....
On this block from a temple relief, Akhenaten, recognizable by his elongated features, holds a duck toward the Aten. With one hand he wrings the bird’s neck before offering it to the god. In this relief, the artist has cut the outlines of the figures into the surface in a technique called sunk relief. Sunk...
This relief of trading scenes of Punt is one of many decorated blocks that record the trading expedition sent to the land of Punt by Hatshepsut. Punt was a locality near the Red Sea and the south of Egypt, now southern Sudan or Eritrea or Ethiopia. The block shows Parehu, the Ruler of Punt, holding...
This relief depicts the cobra on a neb basket from the king’s Two Ladies name. Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a partial or unfinished way but are themselves finished objects constitute a special class of object. Guidelines like those for artists are often prominently exhibited as part...
This relief portrait of Queen Nefertiti comes from a short end of a talatat, a limestone block of standardized size used during the Amarna Period in the building of the Aten temples at Karnak and Akhetaten. The standardized size and their small weight made construction more efficient. The term talatat is most likely derived from...
In this relief, the powerful face, thick lips, and coarse profile of the deity are reminiscent of King Djoser as he is depicted at Saqqara. The fragment relief depicts a seated god wearing a long wig and the “divine” beard, with curled tip. A broad collar embellishes the plain, clinging garment from which one hand...
The bears and the jar holding oil represented on this relief exemplify the exotic animals and precious goods among the Near Eastern booty. Territorial conquest was not the aim of these enterprises; rather it was the acquisition of raw materials, animals, and sometimes people.) Shown under the northern courtyard portico was booty from the Levant....
This block of crystalline limestone once graced the railing of a stairway in a temple of the god Aten. It is in the form of a double cartouche, which usually enclosed the name of the king. In this relief instead, the cartouches contain the names of the sun disk Aten, the one god of king...
