This exquisitely carved relief captures an unknown nobleman at the height of the New Kingdom, his profile rendered with soft confidence, the aquiline nose, the gently defined lips, the serene, almost introspective expression. Yet it is the magnificent wig that commands all attention: a cascade of meticulously incised strands, tiered and textured with astonishing precision,...
Double Mastaba of Meresankh III, G7530-40 (originally built for Hetepheres II), Giza Necropolis. Hetepheres II is the daughter of King Khufu, her daughter Meresankh III is granddaughter to Khufu and the wife of King Khafre. “Her mother, beholder of Horus and Seth, the great favourite, the controller of the butchers of the house of the...
A relief of the deceased Queen Meresankh III and her mother Hetepheres II sailing in the marshes to gather papyrus reeds for the ritual of ‘shaking the papyrus’ to induce the goddess Hathor to them: “Her mother, daughter of the King of Upper and Lower Egypt, Khufu, the great favourite, Hetep-heres. Her beloved daughter, the...
Stone relief plaque depicting a Ram, representation of god Amun, or of Banebdjedet of Mendes. The two sets of horns on this exemplary portrayal of a ram reflect ancient Egyptian sculptors’ simultaneous close observation of nature and strict adherence to artistic tradition. The elongated corkscrew horns atop the ram’s head belong to a species that...
The lintel, a horizontal board or stone above a door, is decorated with the cartouche of Thutmose I as well as figures of Seth and Nubti sculpted on either side of the cartouche. The falcon Horus is standing above the Serekh, or palace facade, on which is inscribed the Horus name of the King, Ka-nakht-mery-Maat,...
Kemsit sits on a wide, low-backed chair holding a vase of scented ointment to her nose. In front of her was the smaller figure of a male servant, of which only his hand remains, holding a small cup that is receiving the stream of liquid he was pouring into it with his other hand. This...
A painted limestone relief depicting a standing woman in a pleated sheer linen blue dress. The woman wears a luxurious wig which is held in place by a diadem of blossoms. A band ties the wig about mid-way through its length with a knot in the back. This slightly pulls the wig back, exposing the...
Within the tomb of Horemheb at Saqqara, one of the most striking reliefs depicts a quiet yet powerful moment: the documentation of Nubian prisoners following a southern campaign. Unlike the common scenes of bound captives, these men are shown seated in orderly rows, their hands resting calmly upon their knees, awaiting registration by the Egyptian...
Military Life in the Memphite Tomb of Horemheb Horemheb is, unusually, a man with two tombs. The first; his Saqqara tomb, was prepared during his rise to power, at a time when no one could confidently predict that he would one day don the double crown. When he later became king, a second tomb fit...
On this block from a temple relief, Akhenaten, recognizable by his elongated features, holds a duck toward the Aten. With one hand he wrings the bird’s neck before offering it to the god. In this relief, the artist has cut the outlines of the figures into the surface in a technique called sunk relief. Sunk...
