This fragment depicts face and upper torso of Akhenaten with the exaggerated but sensitive features characteristic of representations of this king. The full scene would have shown the king worshiping his sole god, the Aten. This relief is currently on long-term loan to the Ägyptisches Museum und Papyrussammlung in Berlin. Akhenaten was a progressive king...
Fragment of painted limestone raised relief of soldiers honoring their lord. Group of military men are acclaiming the rewarding of General Horemheb. Right arm of Horemheb at extreme upper right corner. Two lines of incised inscription at top left center. Inscription: “Standard Bearer to the cavalry squadron of Meryt-Aten (named Khai)” or “Standard bearer of...
Ahmose Nefertari was the sister and Great Royal Wife of king Ahmose I, the first king of the 18th Dynasty. After taking the reins from the Hyksos’s hands and unifying a dismantled Egypt, Ahmose I was the first ruler of Egyptian origin to bring Egypt into what is referred to as it’s Golden Age, also...
Arguably one of the most famous Ancient Egyptian deities recognized in the modern world, Anubis (jnpw), known to the Egyptians as Anpu, is an icon of the ancient world. From books to movies, his likeness still remains a favourite, and he is recognized worldwide, often springing to mind when Ancient Egypt is mentioned in entertainment...
This relief shows a beautiful, delicately carved depiction of an unknown Ancient Egyptian Nobleman, dating from the 19th or 20th Dynasty. It is believed that this fragment may have come from a tomb in Saqqara. With the lingering of the Amarna Period artistic revolution still in memory, the Egyptian need to forget the reign of...
Double Mastaba of Meresankh III, G7530-40 (originally built for Hetepheres II), Giza Necropolis. Hetepheres II is the daughter of King Khufu, her daughter Meresankh III is granddaughter to Khufu and the wife of King Khafre. “Her mother, beholder of Horus and Seth, the great favourite, the controller of the butchers of the house of the...
A relief of the deceased Queen Meresankh III and her mother Hetepheres II sailing in the marshes to gather papyrus reeds for the ritual of ‘shaking the papyrus’ to induce the goddess Hathor to them: “Her mother, daughter of the King of Upper and Lower Egypt, Khufu, the great favourite, Hetep-heres. Her beloved daughter, the...
Stone relief plaque depicting a Ram, representation of god Amun, or of Banebdjedet of Mendes. The two sets of horns on this exemplary portrayal of a ram reflect ancient Egyptian sculptors’ simultaneous close observation of nature and strict adherence to artistic tradition. The elongated corkscrew horns atop the ram’s head belong to a species that...
The lintel, a horizontal board or stone above a door, is decorated with the cartouche of Thutmose I as well as figures of Seth and Nubti sculpted on either side of the cartouche. The falcon Horus is standing above the Serekh, or palace facade, on which is inscribed the Horus name of the King, Ka-nakht-mery-Maat,...
Kemsit sits on a wide, low-backed chair holding a vase of scented ointment to her nose. In front of her was the smaller figure of a male servant, of which only his hand remains, holding a small cup that is receiving the stream of liquid he was pouring into it with his other hand. This...
