Relief

Pregnant Ahmose, mother of Hatshepsut

A pregnant Queen Ahmose, with her daughter (and future ruler of Egypt) Hatshepsut in utero. This scene is depicted within the walls of Hatshepsut’s funerary temple Djeser-Djeseru (“Holy of Holies”) and documents the mythos of Hatshepsut’s divine conception and birth, therefore giving her divine-right to the throne of Egypt. It is known as the Birth...

Relief of Ay as Fan Bearer

In its entirety the relief showed Ay kneeling in worship with his family and surrounded by a long prayer inscribed in hieroglyphs. The style of Ay’s portrait is typical of the Amarna period in its naturalistic depiction of the narrow and bony face, long nose, and small, squinty eyes- features common to other surviving representations...

Musicians Performing (Chapel of Pa-Aten-Em-Heb)

Musicians perform as the seminary priest offers libation. A harpist, flute and lute player can be seen performing a Harper’s Song. Interestingly, the Harper’s Song accompanying this scene within the Chapel of Pa-Aten-Em-Heb, has a somewhat agnostic lyric, telling the listener through song, that lamenting and worrying about an Afterlife is seldom constructive, and one...

Trumpeter plays as dancers perform

This limestone fragment was once a part of a full scene that appears to be depicting the king’s procession (almost certainly, king Akhenaten) as he arrived at the temple. On the far left of the fragment, you can see the elbow and arm of a trumpeter, who blows his horn as women in translucent linens...

Relief of Mourning Women

Relief of Mourning Women

Fragment of limestone raised relief with remains of original paint, representing three mourning women. They stand, facing left, each holding the flaps of their dress in one hand and beating their breast with the other. Surviving paint is concentrated in the areas of their upper and middle bodies. Some blackish and brownish patches over surface....

Hairdressing Scene

These limestone fragments were originally part of a scene in which royal hairdressers attended Queen Neferu. The relief on the right represents Neferu, referred to as “The King’s Wife,” wearing a magnificent beaded usekh collar. Behind her, Henut, the hairdresser, has already pinned one strand of hair and twisted another. The relief on the left...

Fragment of a Queen

This white limestone relief fragment shows an unidentified queen clutching a thick usekh collar in her raised left hand. Dressed in a translucent pleated garment with a headdress ornamented with a double uraei, cow horns, double plume and sun disc in the centre, the queen has divine status. The plumes are streaked with blue, brown,...

Nefertiti in Nubian wig

This sandstone fragmented relief depicts Nefertiti wearing the so-called “Nubian wig” with uraeus. Blue pigment of the headdress remains in places, as with the reddish of Nefertiti’s skin. The profile is instantly recognizable with the famous bust of the queen and is delicately carved with a swan like neck, accompanied by a profile carving of...

Kemsit

Kemsit was an ancient Egyptian queen consort and the wife of Pharaoh Mentuhotep II of the 11th Dynasty. Her titles included “King’s Beloved Wife” (ḥmt-nỉswt mrỉỉ.t=f), “King’s Ornament” (ẖkr.t-nỉswt), “King’s Sole Ornament” (ẖkr.t-nỉswt wˁtỉ.t), and “Priestess of Hathor”. Her tomb (TT308) and modest ornate chapel were discovered in her husband’s Deir el-Bahari temple complex, behind...

Pet Monkey

Pet Monkey

A pet monkey under the chair of Maia, wife of the dignitary Rij, as seen upon the north-wall of the antechapel within Rij’s tomb. New Kingdom, Late 18th Dynasty-Early 19th Dynasty, c. 1550–1186 B.C. Tomb of Rij, Saqqara.
Now at Neues Museum, Berlin. ÄM 7278