Inherkhau was the ‘Foreman of the Lord of the Two Lands in the Place of Truth’ during the reigns of Ramesses III and Ramesses IV, c. 1186–1149 B.C. In this scene, depicted upon one of the walls of his tomb (TT359), we behold Inherkhau seated alongside his wife and four children, receiving offerings in tribute....
Painted relief depicts goddess Hathor offers Menat necklace to Seti I, from a pillar in the Tomb of Seti I (KV17) in the Valley of the Kings, West Thebes. Seti I’s tomb is known for its rich decoration, which included elaborate depictions of gods and pharaohs in various religious contexts. It’s also famous for the...
Limestone relief from a building, decorated with a carved scene showing two soldiers. The soldiers can be identified as Nubians (from Southern Egypt-Sudan) on account of the short wigs that they wear. Nubians were seen as one of the traditional enemies of ancient Egypt because their territories bordered Egypt. Nubian soldiers fighting for Egypt were,...
Two puppies stand side by side with slightly lowered heads, as if hesitating to approach some problem or adversary they cannot yet handle. They must have belonged to a subregister of a larger composition-perhaps a hunt in the desert. The impression of overlap is achieved by the use of incised lines that slope up into...
In this relief Amenemhat I is shown celebrating his thirty-year jubilee (Sed Festival), ritually demonstrating that he was still vigorous and fit to rule. The king is flanked by the jackal-headed god Anubis and the falcon-headed Horus, deities closely associated with coronation rituals; each god offers him an ankh, the hieroglyph for life. To the...
A pregnant Queen Ahmose, with her daughter (and future ruler of Egypt) Hatshepsut in utero. This scene is depicted within the walls of Hatshepsut’s funerary temple Djeser-Djeseru (“Holy of Holies”) and documents the mythos of Hatshepsut’s divine conception and birth, therefore giving her divine-right to the throne of Egypt. It is known as the Birth...
In its entirety the relief showed Ay kneeling in worship with his family and surrounded by a long prayer inscribed in hieroglyphs. The style of Ay’s portrait is typical of the Amarna period in its naturalistic depiction of the narrow and bony face, long nose, and small, squinty eyes- features common to other surviving representations...
Musicians perform as the seminary priest offers libation. A harpist, flute and lute player can be seen performing a Harper’s Song. Interestingly, the Harper’s Song accompanying this scene within the Chapel of Pa-Aten-Em-Heb, has a somewhat agnostic lyric, telling the listener through song, that lamenting and worrying about an Afterlife is seldom constructive, and one...
This limestone fragment was once a part of a full scene that appears to be depicting the king’s procession (almost certainly, king Akhenaten) as he arrived at the temple. On the far left of the fragment, you can see the elbow and arm of a trumpeter, who blows his horn as women in translucent linens...
Fragment of limestone raised relief with remains of original paint, representing three mourning women. They stand, facing left, each holding the flaps of their dress in one hand and beating their breast with the other. Surviving paint is concentrated in the areas of their upper and middle bodies. Some blackish and brownish patches over surface....