This golden strainer from Bubastis is intended for a wine service, removing sediment from the beverage as it is poured out of jugs, jars or flasks into bowls, goblets or situlae for drinking. The strainer indicates that most if not all of the Tell Basta vessels belonged to just such a wine service, certainly a...
Decorations show scenes from the Amduat or “Book of What is in the Underworld”, detail of a wall carving in the second corridor of the Tomb of Ramesses IX (KV6). “Amduat (What is in the Netherworld) was used in Ancient Egypt as a generic name for descriptions of the netherworld, but in modern Egyptology is reserved...
The statue of King Ramesses VIII presenting Amun-Re is an example of hasty workmanship. It lacks vigor. One of the few statues that survive from the Ramesside Period, it demonstrates that the great era of creativity had ended. The face of the statue is heavy with a troubled expression devoid of interior strength. The wig,...
Statue of King Ramesses VI standing, grasping the hair of a Libyan captive in his left hand and an axe in his right. A short military campaign might have ensued and from Ramesses VI’s second year on the throne onwards these troubles seem to have stopped. This campaign could be connected with an unusual statue...
Painted wood ushabti ‘funerary figurine’ of the king Ramesses IV. Funerary figurines, known as “ Ushabtis” by the Egyptians (which means “those who answer”) are viewed as typical ancient Egypt objects. They represent the deceased in the form of a mummy in osirifide position. The figure’s name, headdress, and any hand-held accessories are the only way...
Under a sacred sycamore, the Great Cat of Heliopolis, one of the forms taken by Re called Miw-aa or the great cat, slays the evil serpent Apep (or Apophis), god of the underworld and symbol of the forces of chaos. Section of vignette of chapter 17 of the book of the dead. Apep is sometimes...
Aker appears as a pair of twin lions, one named Duaj (meaning “yesterday”) and the other Sefer (meaning “tomorrow”). Aker was thus often titled “He who’s looking forward and behind”. Lions were widespread in prehistoric times and still present in the Nile Valley in the late Pharaonic history. The lion was an important element in...
Tomb painting of Inherkhau worshiping the serpent god Sata, son of the earth and guardian of the underworld. Snakes were dominantly present in ancient Egyptian mythology. They played a double role, benevolent and malevolent. They could be evoked for curing, protecting and healing but at the very same time cursing and inflicting danger. Sata belonged...
The ostracon of prince Sethherkhepshef is a painted limestone figured ostracon of the son of Ramesses III. It is a standing, figured profile of Prince Sethherkhepshef (who later ascended the throne as Ramesses VIII) in an adoration pose, with outstretched arms, a scepter in his left hand, and right hand, palm-forward. Behind Sethherkhepshef in a...
