An ostracon sketch of animals such common crane, a vulture, and a hound possibly basenji. This probably a series of trial sketches, not an integrated composition, and the subjects were sketched independently. Sketches of animals on ostraca were a common form of artistic expression in ancient Egypt. These sketches depicted a wide range of animals,...
Fragmentary limestone ostracon with a hieratic inscription recording the resolution of a dispute over a hut inherited by the workman Wennofer. The inscription is unusual in being incised and filled with blue frit, a technique used for formal hieroglyphic inscriptions. Perhaps Wennofer set this ostracon into a wall of the disputed hut like a stele....
One of the most typical royal scenes is reproduced on this illustrated ostracon, king Ramesses III in the act of crushing the defeated enemy. The scene was widely used on pylons and external walls of temples. On this piece the king is shown upright, his head adorned with red crown topped by the two feathers...
This ostracon is depicting a scribe as a prayer, drawing on a piece of limestone. The ancient Egyptians drew on ostraca for a variety of reasons; for example, while planning work on tombs or as exercises. Ostraca are simple splinters of limestone or shards of pottery, on which the ancient Egyptians wrote or drew. This...
In the center of the lid of this sarcophagus, King Ramesses III is depicted as the god Osiris in mummy form. On his head he wears the Atef crown composed of ostrich feathers, a sun disk and a pair of ram’s horns. Emerging from his forehead is a uraeus, the royal symbol of protection. The king...
The first workers strike in recorded history took place in the 12th Century BC in Egypt. Even though they regarded the king as a kind of living god, Egyptian workers were not afraid to protest for better working conditions. The most famous example came in the 12th century BC during the reign of the New...
This golden strainer from Bubastis is intended for a wine service, removing sediment from the beverage as it is poured out of jugs, jars or flasks into bowls, goblets or situlae for drinking. The strainer indicates that most if not all of the Tell Basta vessels belonged to just such a wine service, certainly a...
Decorations show scenes from the Amduat or “Book of What is in the Underworld”, detail of a wall carving in the second corridor of the Tomb of Ramesses IX (KV6). “Amduat (What is in the Netherworld) was used in Ancient Egypt as a generic name for descriptions of the netherworld, but in modern Egyptology is reserved...
The statue of King Ramesses VIII presenting Amun-Re is an example of hasty workmanship. It lacks vigor. One of the few statues that survive from the Ramesside Period, it demonstrates that the great era of creativity had ended. The face of the statue is heavy with a troubled expression devoid of interior strength. The wig,...
Statue of King Ramesses VI standing, grasping the hair of a Libyan captive in his left hand and an axe in his right. A short military campaign might have ensued and from Ramesses VI’s second year on the throne onwards these troubles seem to have stopped. This campaign could be connected with an unusual statue...
