This scene—featuring two cats and a mouse—likely portrays a lighthearted or symbolic interaction, showcasing how the Egyptians sometimes used humor or animal symbolism to comment on human life. A lady mouse is shown sitting elegantly, enjoying a cup of wine or drink, which is offered to her by one of the cats standing nearby. Another...
This bronze knife features a handle shaped like a papyrus plant, with a figure of Anubis, the ancient Egyptian god of mummification, seated atop it. The blade bears the name of the embalmer, Minmesout, inscribed in hieroglyphs. Such knives were essential tools in the mummification process, used by embalmers to perform the intricate procedures required...
The Sons of the King in their Chariots at the Battle of Kadesh New Kingdom, 19th Dynasty, reign of Ramesses II, c. 1264–1244 B.C. Scene from Abu Simbel. Facsimile by Egyptologist Ippolito Rosellini (1800-1843), “I Monumenti dell’Egitto e della Nubia“, first published in 1832. This facsimile of princes on chariots documents an image from within...
This ostracon (British Museum. EA8505) was discovered in Deir el-Medina, the site of the famed Worker’s Village (Set Ma’at). The Worker’s Village housed the workmen and their families employed to construct nearby royal and aristocratic tombs. It is officially classified as a heritage site due to the large number of archaeological discoveries left by the...
This fragment of a statue base shows a Assyrian man’s head and shoulders. He wears a fringed robe embroidered with rosettes and has long hair and a headband. He also has a beard and a moustache, something that Assyrians were usually depicted with. The man’s complete figure was positioned flat on his belly, his back...
Paneb was a chief of the Theban workers of Deir el-Medina, who is infamous for the numerous allegations against him including; debauchery, bribery, theft (including royal stone and objects from tombs), sexual assault and violence. The Papyrus Salt 124 (also known as the British Museum Papyrus 10055) (Museum number EA10055) presents the numerous charges against...
An Egyptian wood painted ushabti for lady Anhai, the chantress of Amun. There is a scene in the Book of the Dead where Anubis is found weighing the heart of a priestess named lady Anhai. The image is striking because it shows the young Anhai as she is being led to the afterworld even though...
This colourful fragment comes from the tomb of the foreman Inherkhau (TT359), at Deir el-Medina. Inherkhau held the title, “Foreman of the Lord of the Two Lands in the Place of Truth“, and worked under the reigns of king Ramesses III and Ramesses IV. The piece shows Inherkhau alongside his son Kenna. Kenna is noticed...
This head of a ushabti represents king Seti I of Ancient Egypt’s 19th Dynasty, c. 1294-1279 B.C and was discovered within the king’s tomb. The head measures at 5.77cm tall and 7.75cm wide. A composition of blue glaze, this head of Seti I showcases the king wearing the Ancient Egyptian “nemes” stripped royal headdress. The...
The Scribe of the Place of Truth, Amennakht (New Kingdom, 20th Dynasty, c. 1170 B.C.) kneels before the goddess Meretseger, “She who loves silence”. Amennakht, is in praise of Meretseger who sits before him on a throne of red, blue and orange. She is wearing a red dress and a cuff on her upper left...
