An ostracon sketch of animals such common crane, a vulture, and a hound possibly basenji. This probably a series of trial sketches, not an integrated composition, and the subjects were sketched independently. Sketches of animals on ostraca were a common form of artistic expression in ancient Egypt. These sketches depicted a wide range of animals,...
An ostracon depicted in two faces, the verso depicted with a double-figure of the Nile god Hapi standing, with a fat body wearing a crown of the two plants of Upper and Lower Egypt and a short kilt. On the left, the god raises his left leg while the right one raises his right leg...
Fragmentary limestone ostracon with a hieratic inscription recording the resolution of a dispute over a hut inherited by the workman Wennofer. The inscription is unusual in being incised and filled with blue frit, a technique used for formal hieroglyphic inscriptions. Perhaps Wennofer set this ostracon into a wall of the disputed hut like a stele....
One of the most typical royal scenes is reproduced on this illustrated ostracon, king Ramesses III in the act of crushing the defeated enemy. The scene was widely used on pylons and external walls of temples. On this piece the king is shown upright, his head adorned with red crown topped by the two feathers...
This ostracon is depicting a scribe as a prayer, drawing on a piece of limestone. The ancient Egyptians drew on ostraca for a variety of reasons; for example, while planning work on tombs or as exercises. Ostraca are simple splinters of limestone or shards of pottery, on which the ancient Egyptians wrote or drew. This...
Ostracon of a cat, standing on its hind legs, acts as guide and protector to a flock of six ducks or geese, arranged in two registers, or sections. The ostracon shows a cheerful episode from an Egyptian folktale. In this tale the roles of the natural world are reversed. Above the birds is a nest...
The first workers strike in recorded history took place in the 12th Century BC in Egypt. Even though they regarded the king as a kind of living god, Egyptian workers were not afraid to protest for better working conditions. The most famous example came in the 12th century BC during the reign of the New...
This ostracon depicting a female musician lute player, wearing a broad collar and holding a musical instrument that is functionally close to a modern lute. This pose is common in tomb scenes. The grace and beauty of the musician were caught with a few deft strokes of a master’s brush. The woman is facing left....
The ostracon of prince Sethherkhepshef is a painted limestone figured ostracon of the son of Ramesses III. It is a standing, figured profile of Prince Sethherkhepshef (who later ascended the throne as Ramesses VIII) in an adoration pose, with outstretched arms, a scepter in his left hand, and right hand, palm-forward. Behind Sethherkhepshef in a...
