Dogs held a cherished place in Ancient Egyptian life, not merely as pets but as hunters, guardians, and at times, even sacred symbols. The domestication of dogs in Egypt stretches back thousands of years, with canines appearing in Predynastic art and burial contexts. By the Old Kingdom, they were depicted with collars, indicating both taming...
This distinctive statue depicts Prince Tjau seated in an asymmetrical pose different from the usual cross-legged pose of a scribe at work. His right leg is pulled up in front of him and his left folded beneath each hand is placed on a knee, indicating that he is at rest. He is dressed in a...
Tjetji is shown in the classic pose of a standing official, with his left leg advanced, a long staff in his left hand, and a sekhem scepter (now lost) held horizontally in his right hand. The arms of this statue were made separately and pegged to the body, and the feet tenoned into a separate...
This statue of a man dating from the Late 5th Dynasty-Early 6th Dynasty, c. 2430-2195 B.C., is made of limestone and pigment of black and red still remains quite prominently upon the piece. Despite the lack of titles, the piece is clearly of the Old Kingdom style; rigid form, layered spiral-style cropped wig, a pleated...
Khuenre (Khuenra) was a fourth-dynasty Egyptian prince. He was the son of king Menkaure and his sister, Queen Khamerernebty II. He was the grandson of Khafre and Khamerernebty I, and the great-grandfather of Khufu, the monarch who erected the Great Pyramid of Giza. Furthermore, he worked as a secretary and held the title, “sole companion...
This double painted limestone statue depicts the King’s Acquaintances Memi and Sabu. This close up image showcases the craftsmanship of the Old Kingdom’s sculptors. The fine detailing of Memi’s layered wig, which envelops his head in an elaborate circular style, still has traces of black paint upon it, and the individual carvings of each strand...
This piece was discovered at Giza, and the inscription indicates that two persons are depicted, a woman named Mertites (who is depicted twice) and a boy named Chennoe (also sometimes written as Shenoe). The relationship between Mertites and Chennoe is not documented upon the piece, however, it is more than likely that they are mother...
Mitry (formerly spelt “Merti”) was a senior official and province governor. His tomb’s serdab (statue chamber) contained eleven extraordinarily huge wooden statues. Five are in The Metropolitan Museum of Art’s collection (26.2.2 – 26.2.6); five, including two wooden scribes, are in the Egyptian Museum in Cairo; and one is at Stockholm’s Medlhavsmuseet. Most of these...
This small, wooden standing statue of Niankh-pepi is a unique masterpiece of art, which portrays a porter advancing and carrying a basket on his back. The basket is decorated and fitted with a support used when resting it on the ground. The two white straps are used to hold it over the servant’s shoulders and...
The term “side lock of youth” is not totally true, as the “side lock” is typically plaited hair rather than “a lock”, with the end twisted into a spiral. In Middle Kingdom portrayals, the end is rolled forward, rather like a lone ‘pigtail’. Alas, throughout history and even in modern times, a “lock of hair”...
