An ostracon depicted in two faces, the verso depicted with a double-figure of the Nile god Hapi standing, with a fat body wearing a crown of the two plants of Upper and Lower Egypt and a short kilt. On the left, the god raises his left leg while the right one raises his right leg...
Fragmentary limestone ostracon with a hieratic inscription recording the resolution of a dispute over a hut inherited by the workman Wennofer. The inscription is unusual in being incised and filled with blue frit, a technique used for formal hieroglyphic inscriptions. Perhaps Wennofer set this ostracon into a wall of the disputed hut like a stele....
One of the most typical royal scenes is reproduced on this illustrated ostracon, king Ramesses III in the act of crushing the defeated enemy. The scene was widely used on pylons and external walls of temples. On this piece the king is shown upright, his head adorned with red crown topped by the two feathers...
This ostracon is depicting a scribe as a prayer, drawing on a piece of limestone. The ancient Egyptians drew on ostraca for a variety of reasons; for example, while planning work on tombs or as exercises. Ostraca are simple splinters of limestone or shards of pottery, on which the ancient Egyptians wrote or drew. This...
Ostracon of a cat, standing on its hind legs, acts as guide and protector to a flock of six ducks or geese, arranged in two registers, or sections. The ostracon shows a cheerful episode from an Egyptian folktale. In this tale the roles of the natural world are reversed. Above the birds is a nest...
In the center of the lid of this sarcophagus, King Ramesses III is depicted as the god Osiris in mummy form. On his head he wears the Atef crown composed of ostrich feathers, a sun disk and a pair of ram’s horns. Emerging from his forehead is a uraeus, the royal symbol of protection. The king...
Apparently, King Ramesses V died in his early thirties and this is perhaps the reason for the appropriation of his tomb by his successor, Ramesses VI. Nevertheless, the mummy later found its way to the Royal Cachette (DB320) at Deir el-Bahari. The king’s face was painted in red and his nostrils were filled with wax....
Blue glazed composition ushabti of Seti I: the lower leg section is lost. With details painted in black (probably manganese dioxide), Seti I is shown wealing the striped royal ‘nemes’ headdress, once equipped with a rearing cobra above his brow, a broad collar that imitates glazed composition beads, and bracelets that also would have been...
This unfinished limestone statue of King Akhenaten kissing his daughter is of high artistic quality. It was discovered in a sculptor’s atelier, or workshop, at Tell el-Amarna. It depicts King Akhenaten supporting on his knee one of his daughters, probably Meritaten. Akhenaten sits on a stool wearing a short-sleeved tunic and the Blue Khepresh Crown...
In this nearly life-size statue made of white limestone, Horemheb is seated on the right side of Horus, who places his right arm around the king’s waist. The god’s left hand is holding the sign of life. The two figures greatly resemble each other. Both have bare upper bodies and wear the shendyt kilt and...
