Tutankhamun’s mummy was provided with two daggers encased in gold sheaths, one with an iron blade and the other with a blade of hardened gold. It is the latter specimen ceremonial Egyptian dagger which is shown here. The handle is exquisitely decorated with gold granulation and glass inlays and is fitted with a knob of...
This shiny faience amulet vividly reproduces the moist skin of this amphibian, it was the sacred animal of the goddess Heqet, protector of births. The frog raises its head, while its legs, tense and nervous, are ready to jump. Amulets in the shape of frogs were produced throughout the Pharaonic period and in very different...
In this life-size statue, Hatshepsut is wearing the nemes headdress and the shendyt kilt. These are part of the ceremonial attire of the Egyptian king, which was traditionally a man’s role. In spite of the masculine dress, the statue has a distinctly feminine air, unlike most representations of Hatshepsut as ruler. Hatshepsut, the most successful...
In this statue King Ramesses II appears in the Blue Khepresh Crown or war helmet, grasping the heqa scepter. The sculpture is world renowned as the Turin masterpiece portrait of Egypt’s longest reigning and most famous king. Breaking with traditional royal portraits, the great general wears a long full robe that is asymmetrically draped to...
This colossal sandstone statue depicts king Seti II and is over five meters high! The statue was originally placed on the religious path of the sacred boats of the Theban triad (Amun, Mut and Khonsu) and it was essential that, also by means of a statue, the king presented himself to the entire population engaged...
This statuette is of a servant girl probably the best known of all the Egyptian objects in the Oriental Museum’s collection. It is reputedly from the tomb of Meryptah, High Priest of Ptah at Thebes. It is famous both for the quality of the craftsmanship and for the natural pose of the girl’s body. The...
The back of this wooden chair, which belonged to the scribe Reniseneb, is handsomely veneered with ivory and embellished with incised decoration showing the owner seated on a chair of identical form. It is the earliest surviving chair with such a representation, and it is the only non-royal example known. The scene and accompanying text...
Amulet in the shape of a cartouche. The glaze is a deep cobalt blue. Two holes at either end enter on the edge and exit on the back of the amulet near the edge. The cartouche is one of the two cartouches used for the Aten and is translated: Ra-Horakhty lives, rejoicing in the horizon....
This gold ring of Akhenaten and Nefertiti was found at Tell el-Amarna. The hieroglyphs may be read as an ideogram. The two seated figures are probably Akhenaten (left) and Nefertiti (right) as the deities Shu (air as indicated by the feather he holds) and Tefnut (moisture). They were father and mother of the earth and...
This relief portrait of Queen Nefertiti comes from a short end of a talatat, a limestone block of standardized size used during the Amarna Period in the building of the Aten temples at Karnak and Akhetaten. The standardized size and their small weight made construction more efficient. The term talatat is most likely derived from...
