An Egyptian wood painted ushabti for lady Anhai, the chantress of Amun. There is a scene in the Book of the Dead where Anubis is found weighing the heart of a priestess named lady Anhai. The image is striking because it shows the young Anhai as she is being led to the afterworld even though...
This gold inlaid with carnelian, turquoise head-dress (Met Museum. 26.8.117), belongs to a queen of Thutmose III. The headdress is made from gold, gesso, carnelian, jasper, and glass. The Met Museum writes; “These rosettes from the funerary equipment of three foreign wives of Thutmose III have been displayed in various ways, since they came to...
Showcasing a clear resemblance to members of the Amarna royal family, it is not hard to see this piece dates from the late 18th Dynasty. Absolute identification of this head is uncertain, but resemblance to Tiye as well as her son king Akhenaten himself, as well as other heads of princesses (daughters of Akhenaten), make...
This striding statuette of a New Kingdom king, depicts the king in a kilt (shendyt) adorned with an elaborate belt, a usekh collar around his neck, and most notably, the “Blue Crown of War”, known to the Egyptians as the “Khepresh” upon his head, which is given a realistic glisten by the addition of rounded...
This wooden emblem of the goddess Anuket is a rather unique item and depicts the goddess with her famous ostrich feather headdress, with two depictions of the goddess on each side. She was the goddess of the First Cataract of the Nile and was associated with the Nubian region, she was worshipped at Elephantine. During...
This colourful fragment comes from the tomb of the foreman Inherkhau (TT359), at Deir el-Medina. Inherkhau held the title, “Foreman of the Lord of the Two Lands in the Place of Truth“, and worked under the reigns of king Ramesses III and Ramesses IV. The piece shows Inherkhau alongside his son Kenna. Kenna is noticed...
This ostracon from Deir el-Medina shows two men performing the traditional stick-fighting martial art known as Tahtib, which is still practised and performed in Egypt to this very day. The oldest traces of tahtib were found on engravings from the archaeological site of Abusir, an extensive necropolis of the Old Kingdom period, located in the...
This painted limestone talatat originally came from the dismantled experimental capital of Akhetaten (modern Tel el-Amarna) founded by Akhenaten, but was used as building fodder in Hermopolis, likely during the reign of king Ramesses II. The piece depicts a bald man in a pleated wrapped kilt (shendyt) slaughtering cows. It is possible that the man...
This limestone stela dates from after the twelfth regnal year of king Akhenaten, and it depicts king Amenhotep III, and his Great Royal Wife Tiye. The couple sit under the rays of the Aten, before a grand display of nourishing offerings, in the form of vegetation, grains as well as a floral display of lotus...
This painted limestone statuette depicts an Amarna king, most likely, or even most definitely king Akhenaten. He is depicted in typical ‘Amarna’ style, with his rounded hips and chubby belly. Wearing the Blue Crown of War known to the Egyptians as the “Khepresh”, the king stands with his hands by his side in a pleated...
