The ostracon of Seti I seen below is quite a rarity to behold, as a stubbled faced king is a rather peculiar sight in Ancient Egyptian art. Due to the unusualness of the king being depicted with such natural beard growth rather than the famous Egyptian false beard, it is safe to presume this was...
The heart scarab of Hatnefer is an exceptionally fine example of this type of funerary equipment and is comparable to those made for contemporary royalty. Every feature of the scarab beetle is carefully rendered. The exquisite chain is made of gold wire, plaited in a quadruple-link pattern. The scarab’s base is engraved with a version...
The Scribe of the Place of Truth, Amennakht (New Kingdom, 20th Dynasty, c. 1170 B.C.) kneels before the goddess Meretseger, “She who loves silence”. Amennakht, is in praise of Meretseger who sits before him on a throne of red, blue and orange. She is wearing a red dress and a cuff on her upper left...
This collection of stringed blue faïence star amulets was found at el-Lisht, the funerary site of Middle Kingdom royal and elite burials. The region was originally excavated by the French Egyptologist Gaston Maspero in 1882. The stringed star amulets were discovered in 1920-22, during the MMA excavations taking place at the time. They could date...
A brownish residue from a perfumed oil was found inside this Egyptian alabaster tall vase from the Tomb of Tutankhamun. Oils, essential for rituals, were highly valued. The Tomb of Tutankhamun contained various artifacts, including perfumed oil vases. This vase was discovered during the excavation of his tomb in the Valley of the Kings in...
This faience frog amulet was probably placed next to a woman to safeguard her during childbirth. The combination of deep blue and turquoise typifies objects from the time of Amenhotep III. In antiquity, as today, the croaking of frogs was often the first sound heard each morning in Egypt. These amphibians were thus associated with...
This finely executed representation of Thutmose III as a sphinx is made of extremely hard stone. The transition between the head of the king and the powerful feline body has been masked by the nemes headdress and the stylized lion’s mane which forms a bib-like panel on the chest. A short column of inscription running...
A wall painting of a Nubian dancing girl appears in the procession of tribute for king Thutmose IV (Tomb of Horemheb, TT78). This scene is depicted within the Tomb of Horemheb, not the later king with the same name, but an Official of King Thutmose IV. Horemheb held many titles, including; “Great Confidant of the...
This double cartouche shaped perfume box of Tutankhamun is gilded and inlaid with colored glass paste. The sides of the box feature a relief of Heh, god of eternity holding above and around his head the cartouches of the king. Each side is composed of two inward-facing cartouches containing the figure of the king squatting...
Horemheb stands beside the god Amun, who is taller to indicate that he is more important than the king himself. The style of the statue is typical of the period immediately following the religious and artistic revolution of king Akhenaten. The muscles are not emphasized, the contours are soft, the belly and hips rounded, the...
