This ushabti of a man only has its top half remaining and was purchased by the British Museum from Thomas Burgon in 1842. It is believed to date from the late 18th Dynasty, c.1388-1292 B.C. It showcases a male in a shoulder-length wig, usekh collar and holding two flails in each hand. It is made...
This wooden figure of a girl holding a trunk upon her head is actually a cosmetic box. The trunk the girl holds upon her head, would be filled with cosmetics of the owner’s choice, most likely pigments for make up, including eyeshadow and rouge for cheeks. The piece dates from the 18th Dynasty, of Ancient...
This wooden face dates from around 1400 B.C. or later, making it of Ancient Egypt’s 18th Dynasty. It was originally a part of a coffin. Upon the top of the face is a large tenon, on which a wooden representation of a wig or headdress would have originally been placed. The face has a soft,...
These statuettes of brothers Amenemhab and Huwebenef were discovered in 1911 by Howard Carter’s Lord Carnarvon Excavations at El-Assasif, Thebes. The figures were found within Tomb CC37 (Hall C, burial 24), placed within the coffin of a woman named Ahhotep Tanodjmu (Ahhotep the sweet) presumed to be the boy’s mother. The figure of Amenemhab is...
This life-size quartzite head of Nefertiti was discovered within the remains of the workshop of the Ancient Egyptian sculptor Thutmose at Amarna. Although unmarked, the resemblance to other portraits of Nefertiti identify her clearly. The head is made of quartzite, but has yet to be sanded to create a smooth finish. The face still has...
This quartzite sandstone statue depicts king Seti II upon his throne, holding a shrine surmounted by a ram’s head, which is associated with the god Amun. The British museum states that this statue is one of the most complete sculptures from the entirety of Ancient Egypt. It is extremely rare to find a statue of...
Pay was a man who lived in the famous workers/artists village of Deir el-Medina, then known as Set Ma’at, which translates to “The Place of Truth”. Pay’s titles tell us that he worked as a draughtsman, a very important role in making sure that both the temples and tombs of the royals and elites of...
This ivory painter’s palette with pigment and inscribed with the throne name of king Amenhotep III; “Nebmaatre, Beloved of Re“. Within the six oval wells, pigment of blue, green, yellow, red and black remains. The remnants of red pigment also appear stained across the ivory palette, indicating use. The palette was acquired by the Metropolitan...
Statue of Intendant and Administrator of the Temple of Amun, Hapy, reading from a papyrus roll. The scribe’s job was one of the most important in ancient Egypt, for he was the representative of culture, science, knowledge, and literature. In this regard, scribes are considered the main founders of its civilization. The scribe’s role was...
A scene depicted on a wooden chest showcases Tutankhamun’s Egyptian military defiant against the Nubians. Battle scenes along the length of the chest’s sides show the king riding in his chariot, accompanied by well organized archers, lancers, cavalrymen, and fan bearers, charging the enemies of Egypt; one side of the chest features the enemies of...
