This richly detailed wall scene, originally painted in the tomb of Seti I (KV17), presents two distinct groups of foreigners. The four men on the left, dark-skinned and clad in white garments with red sashes, are Nubians. Each of their cartouches contains the word nḥsj, meaning “Nubian,” occasionally accompanied by ḥqꜣ nḥsj, meaning “Chief of...
Amenhotep III and his Great Royal Wife, Tiye‘s firstborn son, was a prince named Thutmose. As the eldest royal son, he was heir to the throne, and so Thutmose bore prestigious titles such as High Priest of Ptah, indicating his early grooming for both religious and royal responsibilities. A carved statuette depicting him as a...
To the Ancient Egyptian imagination, the blue lotus (Nymphaea caerulea) was far more than a waterborne bloom. Each evening, its petals folded and sank beneath the surface, only to rise and open anew with the sunrise. This daily rhythm made the flower an emblem of cosmic rebirth, mirroring the sun-god’s own journey through the night...
The wooden figure depicts a naked woman holding what is identified as a cat to her chest, though the animal’s form is somewhat indistinct. Though undated in the museum’s entry, the figure was acquired by the early 19th-century Scottish traveller and collector Robert Hay of Linplum, who amassed a substantial number of antiquities during his...
Delicate yet imbued with potent symbolism, this captivating pendant dates from the Third Intermediate Period. With the twilight centuries of the New Kingdom now past, this miniature masterpiece of sacred adornment evokes the lingering splendour of a once radiant golden age. Fashioned from rich gold and vivid turquoise (a gemstone revered in Ancient Egyptian thought...
Painted upon a modest shard of limestone (known as an ostracon) this whimsical yet charming sketch from the New Kingdom (c. 1550–1069 B.C.) captures a lively monkey mid-climb as it scales the familiar forked trunk of a doum-palm tree. Measuring just 11 by 9.7 centimetres, the piece, though small, radiates the playful curiosity and natural...
Among the many sculptural treasures of the New Kingdom are those tenderly carved family group statues intended for tomb chapels; silent participants in the rituals of memory and honour. One such ensemble features the noble figure of Ptahmai, an esteemed official who served under the mighty Ramesses II. As a mark of royal favour, he...
Despite the front of the statue having extensive damage, the back provides us with quite a bit of information about Minmose, thanks to the wonderful inscriptions having survived. Minmose’s primary titles reveal his close association with the cult of Osiris; the deity central to Egyptian beliefs about resurrection and the afterlife. He is described as...
This exquisite double signet ring, dating from the New Kingdom period (c. 1550–1069 B.C.), showcases the refined artistry and symbolic richness characteristic of the era. Crafted from gold, the ring features a pair of cartouches, but instead of a name within the “shen-ring” oval cartouche, are two figures. The first figure is that of a...
The limestone ostracon (Musée du Louvre. E 14337) from Deir el-Medina, depicting a woman presenting a cup and vase before a figure holding a smoking bowl, likely represents a domestic or ritual offering scene. The woman’s pleated dress, perfume cone, and lotus flower suggest she is engaged in a ceremonial act, perhaps making an offering...
