Discovery announced: 13th October 2026. An unexpected discovery in Egypt’s Nile Delta has brought to light the remains of two colossal royal statues, one identified as Ramesses II, the celebrated pharaoh of the 19th Dynasty, who ruled from approximately 1279 to 1213 B.C. The discovery was made in the village of Behbeit el-Hagar, in Gharbia...
Carved from a single piece of ivory, this exquisite kohl container turns an object of everyday adornment into a tiny garden of abundance. Upon one face, an elegantly dressed woman moves amongst blossoms, bearing floral tribute as a sacrificial calf walks beside her. On the reverse of the ivory kohl container, lotus and papyrus blossoms...
With only a few deft strokes of red and black ink, an Ancient Egyptian artist caught the elegant sweep of a horse in motion. Drawn upon a fragment of limestone, this lively study belongs to the Ramesside Period, c. 1300–1080 B.C., when the horse had become a familiar symbol of speed, prestige and royal power...
Carved from boxwood during the reign of Amenhotep III, this delicate statuette represents a young woman standing nude, adorned only with jewellery and a narrow girdle of what may be cowrie shells. Her head is closely shaven apart from a short fringe of finely carved hair across the forehead, a style associated with youthful female...
Queen Tuya (Mut-Tuya) was the wife of Seti I and the mother of Ramesses II, later remembered as Ramesses the Great. Born outside the immediate royal family, she was the daughter of Raia, a lieutenant of the chariotry, and Ruia, yet rose to occupy one of the most distinguished positions at the Ramesside court. Under...
Known as the Salt Head, after the British collector and diplomat Henry Salt, this arresting portrait of a shaven-headed man is one of the more enigmatic works in the Louvre’s Egyptian collection. The long, finely modelled face, prominent lips, narrow eyes and pierced ears have encouraged comparisons with the distinctive portraiture of the late 18th...
This finely carved limestone funerary figure belonged to a man named Keny. Unlike ordinary ushabtis, which were intended magically to perform agricultural labour for the deceased in the afterlife, overseer ushabtis were represented as supervisors, directing the other funerary servants. Keny is shown wearing an elaborate pleated kilt and shirt, a broad usekh collar, curled...
Standing almost three metres tall, this imposing painted sandstone statue represents Amenhotep I, the second king of Egypt’s 18th Dynasty, in the form of the god Osiris. Dating to approximately 1525–1504 B.C., it is one of the relatively few surviving royal statues that can be confidently attributed to Amenhotep I’s own reign, making it an...
More than 3,400 years ago, an Egyptian royal chamberlain named Neferoubenef commissioned a beautifully illustrated Book of the Dead to accompany him into eternity. Today, twelve surviving fragments of this remarkable papyrus are preserved in the Louvre Museum, offering a vivid glimpse into how one man hoped to overcome the dangers of the afterlife and...
Although now missing its head, this finely carved figure still conveys the quiet authority of one of Egypt’s greatest pharaohs. Amenhotep III strides forward with his left foot advanced, a timeless pose symbolising royal power and eternal life. In his right hand he carries a shepherd’s crook resting upon his shoulder, an emblem of the...
