Delicate yet imbued with potent symbolism, this captivating pendant dates from the Third Intermediate Period. With the twilight centuries of the New Kingdom now past, this miniature masterpiece of sacred adornment evokes the lingering splendour of a once radiant golden age. Fashioned from rich gold and vivid turquoise (a gemstone revered in Ancient Egyptian thought...
Painted upon a modest shard of limestone (known as an ostracon) this whimsical yet charming sketch from the New Kingdom (c. 1550–1069 B.C.) captures a lively monkey mid-climb as it scales the familiar forked trunk of a doum-palm tree. Measuring just 11 by 9.7 centimetres, the piece, though small, radiates the playful curiosity and natural...
Among the many sculptural treasures of the New Kingdom are those tenderly carved family group statues intended for tomb chapels; silent participants in the rituals of memory and honour. One such ensemble features the noble figure of Ptahmai, an esteemed official who served under the mighty Ramesses II. As a mark of royal favour, he...
Despite the front of the statue having extensive damage, the back provides us with quite a bit of information about Minmose, thanks to the wonderful inscriptions having survived. Minmose’s primary titles reveal his close association with the cult of Osiris; the deity central to Egyptian beliefs about resurrection and the afterlife. He is described as...
This exquisite double signet ring, dating from the New Kingdom period (c. 1550–1069 B.C.), showcases the refined artistry and symbolic richness characteristic of the era. Crafted from gold, the ring features a pair of cartouches, but instead of a name within the “shen-ring” oval cartouche, are two figures. The first figure is that of a...
The limestone ostracon (Musée du Louvre. E 14337) from Deir el-Medina, depicting a woman presenting a cup and vase before a figure holding a smoking bowl, likely represents a domestic or ritual offering scene. The woman’s pleated dress, perfume cone, and lotus flower suggest she is engaged in a ceremonial act, perhaps making an offering...
Amenhotep III, often hailed as the Dazzling Sun King, was a monarch whose reign illuminated Egypt with an unparalleled splendour of construction and artistry. His legacy cast a long shadow, inspiring later pharaohs such as Ramesses the Great to emulate his grandeur. Colossal statues bearing his likeness once dominated the Egyptian horizon, while minute treasures...
This exquisite faience bowl (Met Museum. 26.7.905) stands as one of the more generous examples of its kind, often charmingly referred to as the “marsh bowl” or “nun-bowl”. Its outer surface is adorned with a radiant display of Egyptian blue lotus petals and sepals, whose natural purple speckles have been rendered as delicate painted dashes....
This exquisite composite statue element, dating to the early 18th Dynasty (c.1550–1425 B.C.), represents the iconic khepresh or blue crown of war, fashioned from siliceous earthenware and adorned with a copper alloy uraeus. Though the once-vivid blue of this piece has faded into a swampy green reminiscent of marsh waters, rather than the pure, life-giving...
This finely crafted statuette, carved from persea wood (Mimusops cf. laurifolia) and dating to the late 18th Dynasty (c. 1327–1295 B.C.), depicts a man in a composed striding pose. With one foot foward, he strides forth into eternity. Despite damaged, his refined image and the craftsmanship that went into creating this mini masterpiece is still...
