In this finely carved relief, Seti I stands reverently before the enthroned Ra-Horakhty, the composite solar deity crowned with the sun disk and uraeus. The king’s right hand is raised in a delicate gesture: with his little finger, he touches the divine cobra, symbol of celestial fire and royal authority. Far from a casual motion,...
Maru-Aten was not a palace in the traditional domestic sense, but more a ritual garden estate with strong royal and possibly sacred associations. While Princess Meritaten (daughter of Akhenaten & Nefertiti) may have resided there temporarily, but it wasn’t likely a full-time domestic residence like a proper palace, more so a retreat rather than a permeant household.
This striking painting shows multiple black jackal figures, often interpreted as manifestations of Anubis or related necropolis deities, facing the foreman Inherkhau. Each jackal wears a red ribboned collar and stands poised, ears alert and snouts extended in a supernatural confrontation. The tripartite representation may symbolise divine guardianship over all regions of the necropolis; east,...
Reference to Mutbenret as “sister of the Great Royal Wife” comes from an inscription in the tomb of Meryre II at Tell el-Amarna; Tomb 7 in the southern group of Amarna’s private tombs. Meryre II was a Royal Scribe and Overseer of the House of the Great Royal Wife, serving Queen Nefertiti during the reign of Akhenaten.
Nefertiti, one of the most known figures of the ancient world. Her face is instantly recognisable, from Cairo to Berlin, alas, behind that famous visage lies a figure shrouded in mystery. Beyond the sculpted grace of surviving artworks, we know remarkably little. Her origins remain uncertain, her early life lost to time. We do not...
Ani was a high-ranking scribe and treasury official who lived in Thebes during the 19th Dynasty of Ancient Egypt, likely under the reign of Seti I or Ramesses II (c. 1290–1250 B.C.). Though his titles vary, he is often called the “Scribe of the Divine Offerings,” indicating a prestigious role in the temple economy. He...
This vividly painted fragment comes from a Book of the Dead scroll dating from 19th Dynasty. The scene depicts a male scribe, identified by his title “Scribe of the House of the King”, offering incense and homage to the enthroned god Osiris, who is flanked by Isis. Behind the scribe stands a female figure bearing...
This richly detailed wall scene, originally painted in the tomb of Seti I (KV17), presents two distinct groups of foreigners. The four men on the left, dark-skinned and clad in white garments with red sashes, are Nubians. Each of their cartouches contains the word nḥsj, meaning “Nubian,” occasionally accompanied by ḥqꜣ nḥsj, meaning “Chief of...
Amenhotep III and his Great Royal Wife, Tiye‘s firstborn son, was a prince named Thutmose. As the eldest royal son, he was heir to the throne, and so Thutmose bore prestigious titles such as High Priest of Ptah, indicating his early grooming for both religious and royal responsibilities. A carved statuette depicting him as a...
To the Ancient Egyptian imagination, the blue lotus (Nymphaea caerulea) was far more than a waterborne bloom. Each evening, its petals folded and sank beneath the surface, only to rise and open anew with the sunrise. This daily rhythm made the flower an emblem of cosmic rebirth, mirroring the sun-god’s own journey through the night...
