Ushabti of king Akhenaten from Amarna (ancient Akhetaten – Akhenaten’s experimental ‘new capital’ that was dismantled upon his death. A Ushabti was a figurine representing the deceased that would help with duties in the Afterlife. A Ushabti (Egyptian: wšbtj or šwbtj) was a funerary figure in the form of the likeness of the deceased, and...
This perfume bottle, with a depiction of an Amarna princess stood upon a lotus blossom, is in the shape of a hes-vase. It is made from Egyptian alabaster, with an inlay of coloured glass, carnelian, obsidian and gold. A hes-vase is named after the “hes” hieroglyph. The hes-vase was used as a libation vessel, meaning,...
This limestone bust of an Amarna royal has never been officially identified, yet the Neues Museum in Berlin does display it with the title of Tutankhamun, which is a likely possibility, others propose that it may be the mysterious 18th Dynasty ruler Smenkhkare. Who it is depends on the scholar, and your own thoughts at...
This head of an unknown princess dates from the Amarna Period, and the family resemblance among the sculptures of the period is noticeable here. The youthful face and enlarged, elongated heads tended to be a choice for the Amarna artists to depict the daughters of the king. Found in Amarna, this head is now on...
Egyptian-Alabaster Canopic jar of an 18th Dynasty queen, found within tomb KV55. New Kingdom, 18th Dynasty, Amarna Period, c. 1349–1330 B.C. One of four Canopic jars believed to have belonged to Akhenaten’s secondary wife, Queen Kiya. Despite being associated with Kiya, the image of the beautifully carved wig adorned royal upon the jar lids has...
Akhenaten and Nefertiti became gods on earth by transforming Egyptian solar worship, innovating in art and urban design, and merging religion and politics in ways never attempted before. November 2022 marks the centennial of the discovery of the tomb of Tutankhamun and although “King Tut” is a household name, his nine-year rule pales in comparison...
This gold ring of Akhenaten and Nefertiti was found at Tell el-Amarna. The hieroglyphs may be read as an ideogram. The two seated figures are probably Akhenaten (left) and Nefertiti (right) as the deities Shu (air as indicated by the feather he holds) and Tefnut (moisture). They were father and mother of the earth and...
This relief portrait of Queen Nefertiti comes from a short end of a talatat, a limestone block of standardized size used during the Amarna Period in the building of the Aten temples at Karnak and Akhetaten. The standardized size and their small weight made construction more efficient. The term talatat is most likely derived from...
Carved in sunk relief upon limestone, this tender scene depicts Nefertiti gently kissing one of her daughters, whose small arm affectionately encircles her mother. To the right, three vertical columns of hieroglyphs have suffered mutilation, while above, a single ray of the Aten extends downwards, clasping an ankh, the symbol of life. The artists have...
Meticulously crafted, a remains of a torso statue from the Amarna period, believed to represent Nefertiti or perhaps one of her daughters. The torso is notable for its artistry and historical significance, showcasing the skilled craftsmanship of the period. Nefertiti, the wife of Pharaoh Akhenaten, is a significant figure in ancient Egyptian history, known for...
