An ostracon showing a topless dancer in an acrobatic position with elaborate hairstyle and hoop earrings in gymnastic backbend. This magnificently drawn sketch of a lady doing a back bend defies many of the conventions of Egyptian art. Performances were held at festivals, banquets, in the temple, and at funerals, but could take place anywhere....
The erotic-satirical papyrus also known Turin Erotic Papyrus, which should be read from right to left, consists of two parts. It measures 8.5 feet (2.6 m) by 10 inches (25 cm). The right side carries a topsy-turvy representation of a world where animals act like humans. This part of the scroll-painting has been described as...
This statuary group is representing the scribe Pendua and his wife Nefertari. The couple embrace in an unusual depiction, seated on a wide high-backed seat with their arms passing behind the other so that their hands rest on each other’s shoulder. Both Pendua and Nefertari (whose name was the same as the reigning queen) wear...
Vignette from the funerary papyrus of the scribe Djehutymes. In ancient Egypt, jackals and dogs were very common in the land between desert and urban areas, so they were associated with the world of necropolis and the dead. Specifically, their wandering among the tombs was interpreted as a perpetual guard service to the deceased. The...
The serpent goddess Renenutet had two main roles. As the root of her name (Renen) makes clear, she was the ‘nurse’, mainly of the king, to whom she ensured a favorable destiny from birth. The goddess was also worshiped because she ensured the success of the harvest and the protection of the crops. In Ancient...
This shiny faience amulet vividly reproduces the moist skin of this amphibian, it was the sacred animal of the goddess Heqet, protector of births. The frog raises its head, while its legs, tense and nervous, are ready to jump. Amulets in the shape of frogs were produced throughout the Pharaonic period and in very different...
In this statue King Ramesses II appears in the Blue Khepresh Crown or war helmet, grasping the heqa scepter. The sculpture is world renowned as the Turin masterpiece portrait of Egypt’s longest reigning and most famous king. Breaking with traditional royal portraits, the great general wears a long full robe that is asymmetrically draped to...
This andesite porphyry jar with handles for suspension was found in a tomb dates to the Old Kingdom (ca. 2686-2181 BC), it is an object handed down from generation to generation: the wavy handle is in fact a decorative motif typical of the Predynastic Period (ca. 4400-3100 BC). Considering the technology available at the time...
This colossal sandstone statue depicts king Seti II and is over five meters high! The statue was originally placed on the religious path of the sacred boats of the Theban triad (Amun, Mut and Khonsu) and it was essential that, also by means of a statue, the king presented himself to the entire population engaged...
In this relief, the powerful face, thick lips, and coarse profile of the deity are reminiscent of King Djoser as he is depicted at Saqqara. The fragment relief depicts a seated god wearing a long wig and the “divine” beard, with curled tip. A broad collar embellishes the plain, clinging garment from which one hand...
