This seated triad statue of king Ramesses II, sat between the deities, and immortal consorts Amun and Mut, is made from solid granite and comes from the Temple of Amun at Karnak, modern Luxor, and dates from c. 1279–1213 B.C. The three sit eternally in each other’s company, embracing as they smile ahead. Ramesses, is...
Granodiorite statue of the goddess sekhmet, the avenging lion-headed goddess. Like the combative fire spitting goddess the king vanquished Egypt’s enemies. Through her fire Sekhmet was associated with the royal uraeus cobra and the eye of the sun god Re. As the city of Thebes gained power, the priests gave Mut, consort of the God...
The ear stele of Usersatet was dedicated to the goddess Nebethetepet, “she who listens to prayers”. It is decorated with four ears in the hope that the deity would hear and answer to the requests of the dedicator. Originally from Heliopolis, Nebethetepet was a deity who was associated with Hathor and there is even evidence...
In this statue, King Amenhotep II is shown kneeling in a pose of worship, offering two Nu vases for libation to Amun-Re. His body is well modeled with defined muscles. He wears the royal nemes headdress, surmounted by the uraeus, or rearing cobra. One type of statue, adopted by both individuals and rulers, is that...
Blue-green faience amulet depicting the god Khnum or Amun. In ancient Egypt the ram was revered for its procreative abilities and as a symbol of virility. Its cult has been attested since the beginning of Egyptian civilization. The ram was associated with different deities: Khnum in Elephantine, Amun in Thebes, Herishef in Herakelopolis and Banebdjedet...
The fine wooden statue of Penbui in the picture, represented with his left leg forward, supports with his arms two rods, resting on his shoulders, on which there are the image of the god Ptah on the left and the god Amun on the right, both seated on a throne. The man wears a pleated...
An ostracon showing a topless dancer in an acrobatic position with elaborate hairstyle and hoop earrings in gymnastic backbend. This magnificently drawn sketch of a lady doing a back bend defies many of the conventions of Egyptian art. Performances were held at festivals, banquets, in the temple, and at funerals, but could take place anywhere....
The erotic-satirical papyrus also known Turin Erotic Papyrus, which should be read from right to left, consists of two parts. It measures 8.5 feet (2.6 m) by 10 inches (25 cm). The right side carries a topsy-turvy representation of a world where animals act like humans. This part of the scroll-painting has been described as...
This statuary group is representing the scribe Pendua and his wife Nefertari. The couple embrace in an unusual depiction, seated on a wide high-backed seat with their arms passing behind the other so that their hands rest on each other’s shoulder. Both Pendua and Nefertari (whose name was the same as the reigning queen) wear...
Vignette from the funerary papyrus of the scribe Djehutymes. In ancient Egypt, jackals and dogs were very common in the land between desert and urban areas, so they were associated with the world of necropolis and the dead. Specifically, their wandering among the tombs was interpreted as a perpetual guard service to the deceased. The...
