With a board carved in the shape of an axe-blade, and resting upon legs shaped in the form of bull’s legs, this game of Hounds & Jackals also comes with a pull-out drawer to hold the pieces; 5 jackals and 5 hounds. This set of the game Hounds and Jackals was unearthed in 1910 by...
This stele is known in Egyptian art as a cippus (pl. cippi) or magical stele. The instructions found on some cippi indicate that they were used to heal afflictions caused by snake or scorpion venom. Specifically, Egyptians believed that the water poured over these cippi would be transformed into a curative remedy that the afflicted...
This limestone fragment was once a part of a full scene that appears to be depicting the king’s procession (almost certainly, king Akhenaten) as he arrived at the temple. On the far left of the fragment, you can see the elbow and arm of a trumpeter, who blows his horn as women in translucent linens...
A menat necklace was created out of a substantial keyhole-shaped counterpoise and an assortment of beaded strands. Despite its title of necklace, the menat necklace is seldom depicted being worn, but was most commonly carried by females engaging in sacred ceremonies and rituals. The necklace served as a percussion instrument, shaken to produce a calming...
This fragment of a statue base shows a Assyrian man’s head and shoulders. He wears a fringed robe embroidered with rosettes and has long hair and a headband. He also has a beard and a moustache, something that Assyrians were usually depicted with. The man’s complete figure was positioned flat on his belly, his back...
The Metternich stela belongs to a group of stelae known as the “Cippi of Horus” or ‘Stelae of Horus on the crocodiles’. The top half of this stela was skillfully carved in the hard dark stone. On the part below the central figure panel, rows of hieroglyphs record thirteen magic spells to protect against venomous...
The inner coffin lid of Henuttawy is painted yellow all over, imitating royal coffins made of solid gold or gilded wood. The pectoral is only slightly less elaborate than the one on her outer lid (25.3.182a, b). Its main feature is a large scarab that pushes a sun disk upward to symbolize the rising sun....
“The parts that are not there, the loss, give it even more power.”– Barry X Ball, American sculptor. The Artist Project, 2016. This fragmentary head of a queen dates from the Amarna period, and it likely depicts king Akhenaten’s mother Queen Tiye, however this is not certified, and it could in fact be a daughter...
This painter’s palette was carved from a single piece of ivory. Six oval wells contain cakes of pigments including blue, green, brown (?), yellow, red, and black. The oval cartouche at one end encircles the throne name of Amenhotep III, Neb-Ma’at-Re, and the epithet “beloved of Re.” This could mean the palette belonged to an...
Painted limestone statuette of Tawaret. This figurine was donated to a woman named Taweret by her mother. She has one arm bent and a lotus bud in her uplifted hand, a gesture rarely seen in depictions of women. The lotus bud could refer to Taweret’s youth. This unopened bloom is rarely found in statues. As...
