This model from Rifah of the “Soul House” type represents a house with a three-columned portico behind a walled courtyard; in front of the courtyard a libation spout is partly preserved. A stairway on the right gives access to the roof of the house, where an arched opening represents a feature in actual houses through...
This figure wears the red Deshret crown of Lower Egypt and the face appears to reflect the features of the reigning king, most probably Amenemhat II or Senusret II. However, the divine kilt suggests that the statuette was not merely a representation of the living ruler. Together with its counterpart wearing the white Hedjet crown...
This wooden panel is part of the left arm of a chair that belonged to the king Thutmose IV. Traces of glue on the surface suggest that the low relief, with its exquisitely carved details, was once covered with gold foil. On one side, the king is shown as a standing sphinx subduing the enemies...
This two finger amulet depicts stylized human fingers that are about life-size. Two-finger amulets were used exclusively for the dead and were often found on the lower left of the torso. This is the area of the incision that was made during the mummification process in order to remove the internal organs. These amulets were...
This golden strainer from Bubastis is intended for a wine service, removing sediment from the beverage as it is poured out of jugs, jars or flasks into bowls, goblets or situlae for drinking. The strainer indicates that most if not all of the Tell Basta vessels belonged to just such a wine service, certainly a...
This ring bezel is decorated with the royal device of two cartouches topped by ostrich plumes, the cartouches frame dancing figures of Bes. Since Bes was closely associated with women in labor and with small children, the use of his image on this signet ring suggests it belonged to a queen, probably Nefertiti herself. Though...
Reliefs like this ram plaque depict a subject in a partial or unfinished way but are themselves complete objects that constitute a special class of object. Guidelines like those for artists are often prominently exhibited as part of the object, although, in fact, many instances can be noted where the object simply could not serve...
This papyrus column amulet, meant to be worn, carried, or offered to a deity in the belief that it will magically bestow a particular power or form of protection, depicts a papyrus scepter or column. This plant, named wadj, meaning “green” or “fresh”, and the choice of green-blue faience all strongly evoke vitality and regenerative...
The braided beard and the flat cap with remnants of double plumes identify this head from a statue god as Amun. His small eyes are separated by a curved depression from the rounded brow ridge; his broad face shows full lips with sharp contours, and, from the side, a slightly drooping chin. These features closely...
In this gold statuette, Amun-Re stands in the traditional pose with the left leg forward. He is identified by his characteristic flat-topped crown, which originally supported two tall gold feathers, now missing. He wears the gods’ braided beard with a curled tip and carries an ankh emblem in his left hand and a scimitar across...