The spectacular “Asyut Dog” is a large limestone statue of what may be a dog, a wolf or a golden jackal – the latter is the most likely. The statue is thought to come from the area surrounding the city of Asyut in Middle Egypt, and more specifically from the vicinity of its sacred animal...
This statue of kneeling captive can be dated to the reign of Pepi II for stylistic reasons. Beginning at least in the mid 5th Dynasty, large sculptures of bound foreign captives appeared in the pharaoh’s pyramid complex. Pepi I and Pepi II had great numbers of them. Statues of prisoners were presumably placed in areas...
Horemheb stands beside the god Amun, who is taller to indicate that he is more important than the king himself. The style of the statue is typical of the period immediately following the religious and artistic revolution of king Akhenaten. The muscles are not emphasized, the contours are soft, the belly and hips rounded, the...
This statue evokes the intimacy of Memi and his companion, Sabu, although she is set somewhat apart by her oblique gaze. Until recently, the flowering of nonroyal statuary was believed to have occurred only in the 4th and 6th Dynasties. Recent studies indicate, however, that many of these nonroyal statues, including Memi and Sabu, are...
Painted limestone statue of Raherka and Meresankh. Raherka held high administrative responsibilities. He was an “inspector of scribes of the jackal”. Meresankh’s title was “King’s acquaintance”, which means she had access to the royal palace. The couple is known from their beautiful pair-statue, which is an example of portraiture in Ancient Egypt. The statue is...
A fragment of a wall relief showing scribes intent on writing, probably under dictation, holding their tablets in their left hand and their pens in their right. The relief was part of a more elaborate composition from the memphite tomb of Horemheb at Saqqara. This limestone relief with traces of painting from the Saqqara tomb...
This ostracon is a dynamic depiction of two fighting bulls. The powerful motion is portrayed through their bodies, with the back legs of the charging bull pushing forward and head lowered to topple the other bull with its horns. Note the artist’s skillful use of color and pattering to add detail. Ostraca (plural for ostracon)...
This limestone bust of an Amarna royal has never been officially identified, yet the Neues Museum in Berlin does display it with the title of Tutankhamun, which is a likely possibility, others propose that it may be the mysterious 18th Dynasty ruler Smenkhkare. Who it is depends on the scholar, and your own thoughts at...
Prince Ankhhaf was the son of an Old Kingdom king, most probably king Sneferu, making Ankhhaf the brother of king Khufu. Ankhhaf had the titles “eldest king’s son of his body” (sa nswt n khtf smsw), “vizier” and “the great one of Five of the house of Thoth” (wr djw pr-Djehuti). This bust made of...
Maya was a high ranking official, with titles such as, “Overseer of the Treasury“, who lived towards the end of the 18th Dynasty. With the collapse of the Amarna Period (Akhenaten and Nefertiti’s Aten experiment purposely dissolved), Maya was an important figure who held special status during the reigns of Tutankhamun (it is said Maya...
