Carved and delicately painted, this limestone figurine showcases a mother dog nursing her five pups. Upon a vibrant yellow backdrop, the mother dog is collared and her lead/leash cascades to the floor in a decorative spiral. Her teets are depicted 2-dimensional against the raised limestone 3-dimensional effect of the pups and mother herself. Her face...
In this relief Amenemhat I is shown celebrating his thirty-year jubilee (Sed Festival), ritually demonstrating that he was still vigorous and fit to rule. The king is flanked by the jackal-headed god Anubis and the falcon-headed Horus, deities closely associated with coronation rituals; each god offers him an ankh, the hieroglyph for life. To the...
In its entirety the relief showed Ay kneeling in worship with his family and surrounded by a long prayer inscribed in hieroglyphs. The style of Ay’s portrait is typical of the Amarna period in its naturalistic depiction of the narrow and bony face, long nose, and small, squinty eyes- features common to other surviving representations...
This stele was colored with a mixture of pigment and tempera. First, however, it was sculpted in raised and sunken relief; only later were some of its surfaces embellished with black, brown, green, yellow, and white paint. The stele commemorates for all eternity a man named Amenemhat and his wife, Hemet. Before them are two...
This limestone fragment was once a part of a full scene that appears to be depicting the king’s procession (almost certainly, king Akhenaten) as he arrived at the temple. On the far left of the fragment, you can see the elbow and arm of a trumpeter, who blows his horn as women in translucent linens...
This unique stele commemorates the deceased ruler Ahmose (1539-1515 BC), who inaugurated the 18th Dynasty in the New Kingdom. The relief style places the stele’s manufacture later in the reign of Tutankhamun (1332–1323 BC). At this time, royal cults were reinstated after the reign of Akhenaten, who wiped out the cults of other gods in...
This statue depicts a king, almost certainly Akhenaten, and is made from yellow limestone. The king holds the heqa scepter (crook and flail), and is seated upon a cushioned throne, wearing a pleated linen kilt, and a striped nemes headdress with the royal insignia of a uraeus upon the centre of his forehead. Often overlooked...
This painted limestone statue of a woman named Ta-Seket was discovered within Tomb Y 524 at Hu. Hu, Huw or Hiw (Arabic: هُو, Coptic: ϩⲱ, ϩⲟⲩ)is the modern name of an Egyptian town on the Nile, which in more ancient times was the capital of the 7th Nome of Upper Egypt. Hu was the centre...
This statue of a man dating from the Late 5th Dynasty-Early 6th Dynasty, c. 2430-2195 B.C., is made of limestone and pigment of black and red still remains quite prominently upon the piece. Despite the lack of titles, the piece is clearly of the Old Kingdom style; rigid form, layered spiral-style cropped wig, a pleated...
This fragmentary limestone bust depicts the Royal Scribe, Méniou. Traces of pigment remain of black upon the wig, eyes and brows, giving this fragmentary piece a striking appearance, despite its disfigurement. Méniou wears an elaborate usekh collar and pleated linen tunic, indicating his status in society. His wig is shoulder-length and finely detailed with intricate...
