Painted limestone standing statue of Satmeret, Wife of Neferherenptah, called Fifi. He was a purification priest and prophet of the mortuary cults of the kings Khafre and Menkaure. Neferherenptah was thus of considerable influence in Giza, where he was buried in his own Mastaba. His tomb contained statues, rather simple in character of himself, of...
This statue of Khasekhemwy, last king of the 2nd Dynasty of Egypt, enthroned with conquered foes incised around the base, is the oldest surviving stone royal sculpture from ancient Egypt. The king is wearing the White Hedjet Crown of Upper Egypt and is wrapped in a long robe with long sleeves associated with the heb-sed...
This ostracon depicting a female musician lute player, wearing a broad collar and holding a musical instrument that is functionally close to a modern lute. This pose is common in tomb scenes. The grace and beauty of the musician were caught with a few deft strokes of a master’s brush. The woman is facing left....
This rectangular stele made out of painted limestone shows Amenemhat with his wife, son, and daughter. All the figures are shown seated except his daughter. She stands before an offering table heaped with different kinds of offerings. The son is depicted seated between his mother and father. Beneath the seated lady, there is a basket containing...
This statue represents the god Thoth in the form of a sitting ibis. The artist’s careful choice of materials, the bronze of the head and the white limestone of the body, give the statue the appearance of a real bird. The feathers of the body are in light relief while the tail, which is separate...
Fragment of a limestone bas relief depicting female dancers and musicians beat tambourines and clapsticks before approaching funeral procession. “In ancient Egyptian society a woman was accorded legal rights equal to those of a man from the same social class and had the same expectation of a life after death… Pharaonic Egypt was not an...
Fragment of a limestone statue (snout restored) of the chief god of Faiyum, the crocodile-headed Sobek. The statue comes from the mortuary temple of Amenemhat III, attached to his pyramid in Hawara. Although the temple was begun by Amenemhat III, it was incomplete at the time of his death. It was finished by his daughter,...
A fragment of a relief depicts court musicians from the Amarna Period and attendants of the royal family, six ladies in waiting and gentlemen sunshade-bearers. During the Amarna Period the need for speedy erection of new temples for Aten led to the use of smaller, now called Talatat, blocks of stone, which were easier to...
The limestone stela shows King Akhenaten and his family as a “Holy Family.” It is considered to be an icon and was intended to be kept in a private chapel of an Amarna house. The stele, topped by the cavetto cornice, is decorated with a scene of an intimate moment from the daily life of...
A fine limestone statue of king Amenhotep II depicted in the form of the god Ptah-Tatenen from the Karnak Cachette. Tatenen (or Tanen) was the god of the primordial mound in ancient Egyptian religion. His name means “risen land” or ‘exalted earth’, as well as referring to the silt of the Nile. Both Tatenen and...
