A fine painted limestone statue depicting King Amenhotep I. After his death, Amenhotep I was deified and became a source of law and order for centuries. This piece is likely a cult sculpture dating to the 19th Dynasty. King Amenhotep I was celebrated as the founder of the village of Deir el-Medina and divinized by...
Seneb was a dwarf who served as a high-ranking court official in the Old Kingdom of Ancient Egypt, circa 2520 BC. Despite his diminutive size, Seneb was a person of considerable importance and wealth who owned thousands of cattle, held twenty palace and religious titles and was married to a high-ranking priestess of average size...
Few sculptures have startled the modern world quite so memorably as the painted limestone statues of Prince Rahotep and his elegant consort, Nofret. When archaeologists first cast their torchlight upon these lifelike figures, buried within a mastaba north of Sneferu’s pyramid at Meidum, their flickering beams met the glinting gaze of quartz and alabaster eyes...
This family statue depicts Nykara, whose title is Scribe of the Granary, seated between the two standing figures of his wife and son. If Nykara were shown standing, his dimensions are such that he would tower over the other two figures. Also, although the boy’s nakedness, sidelock of youth, and finger-to-mouth gesture indicate that he...
This relief shows a beautiful, delicately carved depiction of an unknown Ancient Egyptian Nobleman, dating from the 19th or 20th Dynasty. It is believed that this fragment may have come from a tomb in Saqqara. With the lingering of the Amarna Period artistic revolution still in memory, the Egyptian need to forget the reign of...
This limestone statue depicts a standing lady which she wearing a shoulder-length wig consisting of graceful tresses, and the white dress with shoulder straps of elite ladies covered by a broad collar. The straps of the dress and the broad collar were indicated in paint only, of which only traces remain. She is standing upright...
An ostracon sketch of animals such common crane, a vulture, and a hound possibly basenji. This probably a series of trial sketches, not an integrated composition, and the subjects were sketched independently. Sketches of animals on ostraca were a common form of artistic expression in ancient Egypt. These sketches depicted a wide range of animals,...
Fragmentary limestone ostracon with a hieratic inscription recording the resolution of a dispute over a hut inherited by the workman Wennofer. The inscription is unusual in being incised and filled with blue frit, a technique used for formal hieroglyphic inscriptions. Perhaps Wennofer set this ostracon into a wall of the disputed hut like a stele....
One of the most typical royal scenes is reproduced on this illustrated ostracon, king Ramesses III in the act of crushing the defeated enemy. The scene was widely used on pylons and external walls of temples. On this piece the king is shown upright, his head adorned with red crown topped by the two feathers...
This ostracon is depicting a scribe as a prayer, drawing on a piece of limestone. The ancient Egyptians drew on ostraca for a variety of reasons; for example, while planning work on tombs or as exercises. Ostraca are simple splinters of limestone or shards of pottery, on which the ancient Egyptians wrote or drew. This...
