In sunk limestone relief, at left Nefertiti, preserved head and neck, kissing a princess whose arm is extended around her mother. At right, three mutilated columns of text and above, one ray of the Aten holding an ankh. Flesh folds indicated on necks of both figures. Queen wears braided wig with diadem. The princess wears...
In this decoration showing the theme of the unification of the Two Lands ‘Sema Tawy’, Horus and Seth replaced Hapi, which was associated with the Nile god. Detail on the side of the throne of King Senusret I. Furthermore, we have here one of the rare cases in which the image of Seth, god of...
A fine painted limestone statue depicting King Amenhotep I. After his death, Amenhotep I was deified and became a source of law and order for centuries. This piece is likely a cult sculpture dating to the 19th Dynasty. King Amenhotep I was celebrated as the founder of the village of Deir el-Medina and divinized by...
Seneb was a dwarf who served as a high-ranking court official in the Old Kingdom of Ancient Egypt, circa 2520 BC. Despite his diminutive size, Seneb was a person of considerable importance and wealth who owned thousands of cattle, held twenty palace and religious titles and was married to a high-ranking priestess of average size...
Prince Rahotep and his wife Nofret life-like painted limestone statues are considered among the most famous private statues from ancient Egypt. The statues were discovered in the mastaba tomb (a tomb in the form of a rectangular platform) of Rahotep, north of the pyramid of Snefru, in Meidum, dating to the reign of King Snefru...
This family statue depicts Nykara, whose title is Scribe of the Granary, seated between the two standing figures of his wife and son. If Nykara were shown standing, his dimensions are such that he would tower over the other two figures. Also, although the boy’s nakedness, sidelock of youth, and finger-to-mouth gesture indicate that he...
This relief shows a beautiful, delicately carved depiction of an unknown Ancient Egyptian Nobleman, dating from the 19th or 20th Dynasty. It is believed that this fragment may have come from a tomb in Saqqara. With the lingering of the Amarna Period artistic revolution still in memory, the Egyptian need to forget the reign of...
This limestone statue depicts a standing lady which she wearing a shoulder-length wig consisting of graceful tresses, and the white dress with shoulder straps of elite ladies covered by a broad collar. The straps of the dress and the broad collar were indicated in paint only, of which only traces remain. She is standing upright...
An ostracon sketch of animals such common crane, a vulture, and a hound possibly basenji. This probably a series of trial sketches, not an integrated composition, and the subjects were sketched independently. Sketches of animals on ostraca were a common form of artistic expression in ancient Egypt. These sketches depicted a wide range of animals,...
Fragmentary limestone ostracon with a hieratic inscription recording the resolution of a dispute over a hut inherited by the workman Wennofer. The inscription is unusual in being incised and filled with blue frit, a technique used for formal hieroglyphic inscriptions. Perhaps Wennofer set this ostracon into a wall of the disputed hut like a stele....
