On this block from a temple relief, Akhenaten, recognizable by his elongated features, holds a duck toward the Aten. With one hand he wrings the bird’s neck before offering it to the god. In this relief, the artist has cut the outlines of the figures into the surface in a technique called sunk relief. Sunk...
This is a pottery ostracon, measuring 14.4×10.3 cm with an ink sketch showing the prow of the sacred boat of the god Amun-Re. It is decorated with a ram’s head and a royal cobra (uraeus). The line of hieroglyphs over the head of the ram reads, “Amun-Re, the Light of Day.” And the column of...
This relief of trading scenes of Punt is one of many decorated blocks that record the trading expedition sent to the land of Punt by Hatshepsut. Punt was a locality near the Red Sea and the south of Egypt, now southern Sudan or Eritrea or Ethiopia. The block shows Parehu, the Ruler of Punt, holding...
This statuary group is representing the scribe Pendua and his wife Nefertari. The couple embrace in an unusual depiction, seated on a wide high-backed seat with their arms passing behind the other so that their hands rest on each other’s shoulder. Both Pendua and Nefertari (whose name was the same as the reigning queen) wear...
The statue depicts Ranefer, standing and is wearing an overlapped kilt of medium length. His hair was cut short and the eyes are painted. This splendid statue was found together with another statue, almost identical, in two niches in the chapel at his tomb at Saqqara. This one shows him in an old age while...
In this life-size statue, Hatshepsut is wearing the nemes headdress and the shendyt kilt. These are part of the ceremonial attire of the Egyptian king, which was traditionally a man’s role. In spite of the masculine dress, the statue has a distinctly feminine air, unlike most representations of Hatshepsut as ruler. Hatshepsut, the most successful...
This relief portrait of Queen Nefertiti comes from a short end of a talatat, a limestone block of standardized size used during the Amarna Period in the building of the Aten temples at Karnak and Akhetaten. The standardized size and their small weight made construction more efficient. The term talatat is most likely derived from...
The statue shows Kai sitting on a high-backed chair. He wears a shoulder length wig, decorated with horizontal rows of curls. Each eye is framed in copper, while his eyebrows are in raised relief. The lips are thin and finely drawn. Below, he wears Usekh or Wesekh (broad) collar, composed of seven horizontal bands of...
In this stele, Akhenaten is slouched on a low-backed, cushioned chair with side struts in the form of the ancient royal symbol for the unification of Upper and Lower Egypt, which is partly obscured by the long sash of his pleated kilt. The Aten disk was above him, in the center of the stele. The...
This block of crystalline limestone once graced the railing of a stairway in a temple of the god Aten. It is in the form of a double cartouche, which usually enclosed the name of the king. In this relief instead, the cartouches contain the names of the sun disk Aten, the one god of king...
