The mace-head was uncovered in the “Main Deposit” of the Temple of Horus at Hierakonpolis, one of the most important religious and political centers of early Egypt. The same cache also contained the famous Narmer Palette, linking the artifact directly to the formative period of Egyptian statehood. The Scorpion mace-head measures around 25 centimeters and...
Known as “The Wilbour Plaque“, named after American Egyptologist Charles Edwin Wilbour (1833–1896), who purchased the piece in 1881. It currently resides in America at the Brooklyn Museum (16.48) in NYC. It is thought this piece was originally part of a larger scene, and was used as a reference piece for royal artisans. There is...
This finely carved limestone relief once adorned the tomb chapel of Horemheb, at a time when he was still a general serving under Tutankhamun. It records a moment of high ceremonial theatre, showcasing Horemheb’s huldiging, or formal honouring, for military and diplomatic success. At the centre, attendants place heavy gold collars around Horemheb’s neck. This...
This limestone relief fragment (Met Museum. 36.3.239) once formed part of a statue niche in the offering chapel of Senenmut, the influential official of the female pharaoh Hatshepsut. The surviving hieroglyphs above a kneeling woman most likely identify her as “his beloved sister Ahmose,” a reading reinforced by a wooden Osiris figure dedicated to a...
Beneath the quiet lights of the Brooklyn Museum rests the head of a tomb statue, carved in limestone and once painted in warm honey-brown tones: a complexion both lifelike and luminous, as though the gentleman had only just stepped out of Egypt’s Old Kingdom sun. His wig, fashioned in the familiar tiered “helmet” style of...
A tender and unexpectedly gentle vision of Akhenaten greets us here; not the exaggerated, long (almost lion-like) faced king of the Amarna reliefs, but a softer, quieter sovereign in painted limestone. A faint flush of red still clings to his lips, a ghost of the colours that once enlivened his courtly presence. Upon his brow...
In the long reign of Ramesses II (between 1279 and 1213 B.C.), devotion could be as grand as a temple façade or as humble as a handheld shrine. This charming fragment, now housed in The Met (90.6.1), once formed part of a larger votive statue crafted by an official of the king. In Ancient Egypt,...
Among the loveliest relics of the Amarna Period are a handful of carved slabs, now scattered across the world (from the Kestner Museum in Hanover to the Museum of Fine Arts, Boston, and the Brooklyn Museum of New York) showing Akhenaten as a human-headed sphinx. He crouches in the classic pose, forepaws extended, muscles taut...
In the late 19th century, when Cairo’s streets were a swirl of dust, donkeys, perfumed coffee, and antiquities hawkers. It was among these souqs (markets) which Sir Flinders Petrie, the legendary British Egyptologist, acquired a small, rough-hewn limestone head, scarcely 10–12 cm high. These markets were, at the time, half curiosity-shop and half archaeological gamble,...
Excavated at Koptos (Qift) by Sir Flinders Petrie in the 1890s, this statue is one of three, which are among the earliest monumental sculptures known from Ancient Egypt, dating to the dawn of its civilisation. At 4 metres tall and 2 tonnes in weight, this towering figure was created to honour the fertility god Min....
