This painted limestone talatat originally came from the dismantled experimental capital of Akhetaten (modern Tel el-Amarna) founded by Akhenaten, but was used as building fodder in Hermopolis, likely during the reign of king Ramesses II. The piece depicts a bald man in a pleated wrapped kilt (shendyt) slaughtering cows. It is possible that the man...
Fragment of stela with either Akhenaten or Nefertiti seatedNew Kingdom, 18th Dynasty, c. 1372-1355 B.C.Tel el-Amarna. House N.50.22.Formerly in Berlin, Ägyptisches Museum. 22264.Now in Kunsthistorisches Museum, Ägyptisch-Orientalische Sammlung, Vienna. Inv. 8038.
Egyptian blue, also known as calcium copper silicate (CaCuSi4O10 or CaOCuO(SiO2)4 (calcium copper tetrasilicate)) or cuprorivaite, is a pigment that was used in Ancient Egypt for thousands of years. It is considered to be the first synthetic pigment. It was known to the Romans by the name caeruleum. After the Roman era, Egyptian blue fell...
This cartonnage coffin belongs to a woman called Tanetreti-Scherit or “Ta-Reti”, and she was an Ancient Egyptian “Chantress of Amun”, somewhere between, 1070-713 B.C. Ta-reti came from a family of priests and singers or “Chantresses“. Her father was a man named Ankhpakhered (whose title is upon her coffin), who held the title of “Gatekeeper of...
Khonsu-mes receives libation of food and drink from the tree goddess. The tree goddesses are usually associated with the namesake or manifestation of the goddesses Hathor, Isis or Nut. Hathor was often referred to as the “Lady of the Sycamore”. The sycamore tree held great significance in ancient Egyptian culture, believed to possess magical and...
The statue of Snofru-nefer is a prime example for demonstrating the fundamental principles of the Egyptian sculptor. He was the principal singer and the overseer of amusements at the royal court. The upright posture and the positioning of the arms at a straight angle with the shoulders demonstrate the strict adherence to straight angles. The...
This family portrait comes from the reign of Amenhotep III. The artistic style of the piece is reminiscent of other pieces from the Late 18th Dynasty era, in which after a lustrous and inspiring reign, Amenhotep III’s lineage took hold with Amenhotep IV (Akhenaten), leading to the eventual collapse of the 18th Dynasty’s Golden Age...
Ushabti of king Akhenaten from Amarna (ancient Akhetaten – Akhenaten’s experimental ‘new capital’ that was dismantled upon his death. A Ushabti was a figurine representing the deceased that would help with duties in the Afterlife. A Ushabti (Egyptian: wšbtj or šwbtj) was a funerary figure in the form of the likeness of the deceased, and...
Glazed faïence inlays from palace of Ramesses III, depicting subdued enemies of Egypt; Sub Saharan African and Assyrian men kneel. The decorative inlays are considered of significant historical and ethnographical interest, given the representation of neighbouring populations. Tiles with coloured inlaid glazed faience were very popular for decorating the walls of palaces. In the palace...
This face from a coffin is made of wood and paint still remains. The face has a slight soft smile. It dates from the New Kingdom Period’s 18th Dynasty (c.1300-1400 B.C.), and is currently under the ownership of the Kunsthistorisches Museum, in Vienna, Austria. The mummies of the ancient Egyptian elite were placed into wooden...
