Carved in lustrous ivory, this remarkable statuette represents a beardless king wearing the White Crown of Upper Egypt, its weight seemingly pressing down upon his prominent ears. Cloaked in the short, stiff robe of the Heb-Sed festival, his posture conveys not youthful vigour but a striking sense of age; his shoulders stoop, his neck thrusts...
This gazelle figurine, made from the ivory of an elephant and now housed in The Metropolitan Museum of Art (26.7.1292), dates to the reign of Amenhotep III of the New Kingdom, c. 1390–1352 B.C. Carved from elephant ivory, this delicate sculpture stands alert on a wooden pedestal adorned with inlaid blue pigment, depicting flora evocative...
Nestled within the esteemed halls of The Metropolitan Museum of Art resides a resplendent artefact from Ancient Egypt: the jewellery chest of Princess Sithathoryunet. Crafted during the Middle Kingdom, specifically the 12th Dynasty (c.1887–1813 B.C.), this exquisite chest exemplifies the opulence and artistry of its era. Discovered in a concealed niche within Sithathoryunet’s tomb near...
In ancient Egypt, clappers, carved from materials like ivory or wood, were percussion instruments used in rituals and ceremonies, often linked to the goddess Hathor. Found in a coffin at Amarna, they served not only musical purposes but also held symbolic significance in religious contexts, particularly during worship and festivals.
This handle likely belonged to a whip or perhaps a fly whisk. Intricately carved from a piece of ivory, it takes the form of a galloping horse. The ivory is stained reddish-brown pigment, with a painted black mane. A wonderful addition is the featuring of garnet inlays for the eyes—one of which is now missing,...
Several headrests were found among the treasures in Tutankhamun’s tomb. This carefully carved ivory one depicts the god Shu holding up the celestial vault. If one goes to sleep on one’s side, then one’s head ends up a few centimetres above the surface one is lying on, a distance equal to the breadth of one’s...
With a board carved in the shape of an axe-blade, and resting upon legs shaped in the form of bull’s legs, this game of Hounds & Jackals also comes with a pull-out drawer to hold the pieces; 5 jackals and 5 hounds. This set of the game Hounds and Jackals was unearthed in 1910 by...
This painter’s palette was carved from a single piece of ivory. Six oval wells contain cakes of pigments including blue, green, brown (?), yellow, red, and black. The oval cartouche at one end encircles the throne name of Amenhotep III, Neb-Ma’at-Re, and the epithet “beloved of Re.” This could mean the palette belonged to an...
This ivory painter’s palette with pigment and inscribed with the throne name of king Amenhotep III; “Nebmaatre, Beloved of Re“. Within the six oval wells, pigment of blue, green, yellow, red and black remains. The remnants of red pigment also appear stained across the ivory palette, indicating use. The palette was acquired by the Metropolitan...
In this ivory statuette of Apis bull, the white triangle is indicated by a sunken area on the head, while engravings of a vulture with wings spread and a winged scarab flank an elaborate blanket on the back. One of the most important animal deities of ancient Egypt was the sacred Apis bull, whose worship...
