This small wooden statuette represents Taweret, whose name means “the Great One,” a powerful household deity revered for her protection of women and children. Her composite form (hippopotamus body, crocodile back and tail, and leonine limbs) draws upon some of the most formidable creatures of the Nile, each known for its fierce defence of its...
Irynefer was a workman of the royal necropolis at Deir el-Medina, the famous village that housed the craftsmen responsible for cutting and decorating the tombs of the kings in the Valley of the Kings. His title, “Servant in the Place of Truth” (Egyptian: sḏm-ꜥš m st mꜣꜥt), was the formal designation given to these elite...
In the long reign of Ramesses II (between 1279 and 1213 B.C.), devotion could be as grand as a temple façade or as humble as a handheld shrine. This charming fragment, now housed in The Met (90.6.1), once formed part of a larger votive statue crafted by an official of the king. In Ancient Egypt,...
In the village of Deir el‑Medina, on the West Bank of ancient Thebes, archaeologists in the early 20th century uncovered something curious: broken pieces of pottery, known as ostraca, inscribed with a tale of a ghost and a high priest. One shard, now held in Turin’s Museo Egizio (S.6619), was discovered in 1905 by Ernesto...
A reminder that even in the shadow of eternity, the craftsmen of Thebes found time for life’s more earthly pleasures, this playful and rather daring sketch from the workmen’s village captures a rare glimpse into the more private humour of Ancient Egyptian life. Painted swiftly in black ink, it shows a man and woman engaged...
Ever seen an ancient meme? This limestone sketch (Musée du Louvre Museum. E 32954) from Deir el-Medina might just be one! Drawn over 3,000 years ago (c. 1295–1069 B.C.) by an artisan of the royal tomb-builders’ village depicts a cat standing upright, holding or offering a vase and a lotus flower to another seated cat,...
Sennedjem (“The one who pleases”) lived during the late 18th Dynasty through the 19th Dynasty, working under Seti I and Ramesses II (c. 1290–1250 B.C.). He held the title “Servant in the Place of Truth” (sḏm-ʿš m st-mꜣꜥt), which means he was a craftsman of the royal necropolis, living at Deir el-Medina. His work involved...
This striking painting shows multiple black jackal figures, often interpreted as manifestations of Anubis or related necropolis deities, facing the foreman Inherkhau. Each jackal wears a red ribboned collar and stands poised, ears alert and snouts extended in a supernatural confrontation. The tripartite representation may symbolise divine guardianship over all regions of the necropolis; east,...
Nestled within the arid cliffs of Deir el-Medina, on the west bank of the Nile opposite modern-day Luxor, lies Theban Tomb 8 (TT8), the final resting place of Kha, a distinguished overseer of royal tomb construction, and his wife, Merit. This tomb, remarkably preserved and untouched by ancient looters, offers an unparalleled glimpse into the...
Inherkhau was the ‘Foreman of the Lord of the Two Lands in the Place of Truth’ during the reigns of Ramesses III and Ramesses IV, c. 1186–1149 B.C. In this scene, depicted upon one of the walls of his tomb (TT359), we behold Inherkhau seated alongside his wife and four children, receiving offerings in tribute....
