Light blue faience ushabti of Queen Henuttawy wife of Pinedjem I. One column of painted inscription down front of body; painted flail grasped in each hand. At knees glaze is cracked or more probably the ushabti has been broken and put together. It depicts a small mummiform figure. Arms are crossed opposite, right over left,...
Typical 18th Dynasty side chair of an unidentified hardwood, having legs imitating the fore and hind legs of a lion. It has a high sloping back hollowed to fit the occupant’s back. Ornamentation consists of alternation of light and dark wood and nine inlays of bone or ivory simulating broad headed nails of no constructional...
A cosmetic spoon in the form of a jackal. The jackal’s head is seen from above and is symmetrical, while the body is seen from the left. The tail of the jackal is long and thick and reaches to the paws of the outstretched back legs. The two forepaws are placed symmetrically one above and...
The lungs and windpipe or sema amulet was often placed on a mummy‘s chest in order to give it life in the underworld. As such, the shape of this sign frequently appears in Egyptian art in scenes of the king uniting the two lands of Upper and Lower Egypt. The Sema or Sma hieroglyph, used...
A black glass obsidian amulet in the form of two fingers of the right hand. The finger joints are indicated as well as the cuticles. Traces of yellowish dirt at separation of fingers. A detailed likeness of the index and second fingers of the right hand was one of the many amulets placed on the...
In this ostracon, a cat funerary priest approaches a mouse with offerings. The mouse wears a lotus flower on its head, sits on a chair, sniffs a flower, and holds out a cup to be filled. The cat, standing on his hind legs, fans the mouse and offers a roasted duck and a piece of...
In sunk limestone relief, at left Nefertiti, preserved head and neck, kissing a princess whose arm is extended around her mother. At right, three mutilated columns of text and above, one ray of the Aten holding an ankh. Flesh folds indicated on necks of both figures. Queen wears braided wig with diadem. The princess wears...
This family statue depicts Nykara, whose title is Scribe of the Granary, seated between the two standing figures of his wife and son. If Nykara were shown standing, his dimensions are such that he would tower over the other two figures. Also, although the boy’s nakedness, sidelock of youth, and finger-to-mouth gesture indicate that he...
On the large silver-tin alloy signet ring the prenomen of Ramesses IV appears—Hekamaat-re’ (“Re Is the Ruler of Maat“). In the lower half are several hieroglyphs—djed (“stability”), hes (“praise”), and hetep (“peace” or “satisfaction”)—that probably serve a decorative or amuletic function because they do not comprise a logical text. Likewise, the semi-hemispherical nb hieroglyph at...
This relief shows a beautiful, delicately carved depiction of an unknown Ancient Egyptian Nobleman, dating from the 19th or 20th Dynasty. It is believed that this fragment may have come from a tomb in Saqqara. With the lingering of the Amarna Period artistic revolution still in memory, the Egyptian need to forget the reign of...
