This sandstone fragmented relief depicts Nefertiti wearing the so-called “Nubian wig” with uraeus. Blue pigment of the headdress remains in places, as with the reddish of Nefertiti’s skin. The profile is instantly recognizable with the famous bust of the queen and is delicately carved with a swan like neck, accompanied by a profile carving of...
This limestone statuette of a female in an arched position dates from the Middle Kingdom and was discovered within Tomb D303, at Abydos. The tomb is associated with a man named Sa-Inher. The woman is archived as an acrobat due to the pose, however, it is also quite likely she was a dancer. Perhaps she...
Showcasing a clear resemblance to members of the Amarna royal family, it is not hard to see this piece dates from the late 18th Dynasty. Absolute identification of this head is uncertain, but resemblance to Tiye as well as her son king Akhenaten himself, as well as other heads of princesses (daughters of Akhenaten), make...
This painted limestone statuette depicts an Amarna king, most likely, or even most definitely king Akhenaten. He is depicted in typical ‘Amarna’ style, with his rounded hips and chubby belly. Wearing the Blue Crown of War known to the Egyptians as the “Khepresh”, the king stands with his hands by his side in a pleated...
This talatat from Amarna depicts a farmer with his hand within a cow’s mouth, it is likely the farmer is helping the calf to digest its food. Agriculture was the most important thing to cultures of the ancient world, and Egypt was no different. A major part of the Egyptian religion or spirituality itself was...
This limestone relief, depicting king Ramesses II, is rich in colour despite being just a fragmentary remnant. The king is adorned in yellow, representing glistening gold. The style of portraiture tells us this piece was likely made early within his reign, possibly somewhere between the first two years, as it’s very similar to works created...
At just 26.3 cm tall, this statuette of king Amenhotep III, is a treasure of the Brooklyn Museum in New York, and for obvious reason. The Brooklyn Museum’s website states that it is unsure whether the statue is made from ebony or yew wood, however, Edward Bleiberg (Curator of Egyptian, Classical, and Ancient Middle Eastern...
Blue-green faience hedgehog figurine with black spots on elliptical base, both left legs slightly advanced and modeled freely in the round. Back is scored in grid pattern and bumpy to simulate quills. When food is scarce, hedgehogs retreat into underground dens for long periods, to re-emerge only in times of abundance. The Egyptians associated this...
This faience frog amulet was probably placed next to a woman to safeguard her during childbirth. The combination of deep blue and turquoise typifies objects from the time of Amenhotep III. In antiquity, as today, the croaking of frogs was often the first sound heard each morning in Egypt. These amphibians were thus associated with...
This sandstone sunken relief of a woman dates from the Amarna Period, and it is easy to tell the era she is from due to the style in which she is depicted. The artistic manner is most definitely from the period of Akhenaten’s experimental reign, however, this piece was actually found in Thebes and not...
