This perfume bottle, with a depiction of an Amarna princess stood upon a lotus blossom, is in the shape of a hes-vase. It is made from Egyptian alabaster, with an inlay of coloured glass, carnelian, obsidian and gold. A hes-vase is named after the “hes” hieroglyph. The hes-vase was used as a libation vessel, meaning,...
This Tilapia fish, is delicately painted with a pastel type colour scheme of oranges and blues, which were quite popular within the reign of Amenhotep III and his son king Akhenaten’s. However, it is not just the paintwork of this fish which is catching to the eye, this small relic holds a specific purpose that...
Fragment of painted limestone raised relief of soldiers honoring their lord. Group of military men are acclaiming the rewarding of General Horemheb. Right arm of Horemheb at extreme upper right corner. Two lines of incised inscription at top left center. Inscription: “Standard Bearer to the cavalry squadron of Meryt-Aten (named Khai)” or “Standard bearer of...
This relief shows a beautiful, delicately carved depiction of an unknown Ancient Egyptian Nobleman, dating from the 19th or 20th Dynasty. It is believed that this fragment may have come from a tomb in Saqqara. With the lingering of the Amarna Period artistic revolution still in memory, the Egyptian need to forget the reign of...
Made from polychrome faïence, these Ushabti figures of a woman named Lady Sati, were found in Saqqara, and date from the reign of Amenhotep III, c. 1390-1352 B.C. They are currently on display at the Brooklyn Museum, New York City. Lady Sati was given the title, “mistress of the house”, a title which was often...
Light blue faience ushabti of Queen Henuttawy wife of Pinedjem I. One column of painted inscription down front of body; painted flail grasped in each hand. At knees glaze is cracked or more probably the ushabti has been broken and put together. It depicts a small mummiform figure. Arms are crossed opposite, right over left,...
Typical 18th Dynasty side chair of an unidentified hardwood, having legs imitating the fore and hind legs of a lion. It has a high sloping back hollowed to fit the occupant’s back. Ornamentation consists of alternation of light and dark wood and nine inlays of bone or ivory simulating broad headed nails of no constructional...
A cosmetic spoon in the form of a jackal. The jackal’s head is seen from above and is symmetrical, while the body is seen from the left. The tail of the jackal is long and thick and reaches to the paws of the outstretched back legs. The two forepaws are placed symmetrically one above and...
The Sema or Sma hieroglyph, used in the words “unification,” “to unite,” and their derivatives, represents an animal’s lungs and windpipe. It is often described as a pair of lungs attached to a windpipe, genitalia, and sometimes both simultaneously. The Sema was often placed on a mummy’s chest in order to give it life in...
A black glass obsidian amulet in the form of two fingers of the right hand. The finger joints are indicated as well as the cuticles. Traces of yellowish dirt at separation of fingers. A detailed likeness of the index and second fingers of the right hand was one of the many amulets placed on the...
