This finely made bronze axe-head was crafted as an ornamental piece rather than a functional weapon. Its blade is pierced with an intricate openwork scene of two bulls locked in combat, their horns interlaced in a moment of tense, sculptural energy. Both sides show carefully tooled internal detail, revealing the high skill of the metalworker....
This magnificent red-granite lion, carved in the reign of Amenhotep III, shows the animal in a graceful recumbent pose, forepaws crossed and tail curled neatly around the rump. Its modelling is a masterful blend of stylised elegance and striking naturalism: a circular mane frames the head; raised fur textures mark the chest and shoulders; the...
This luminous broad collar, fashioned from glazed composition, is a jewel of colour and meaning. Its three openwork rows bloom like the gardens of Amarna, with the upper ring bearing yellow mandrake fruits, beneath them unfurl green fronds of date palm, and below, a fringe of yellow, white, and mauve lotus petals. Between each pendant...
Dating from around c. 600-200 B.C., this golden inlaid depiction of a hawk or falcon in flight, would have been a representation of the deity Horus. Inlaid with multicoloured glass, the British Museum archives this piece as a pectoral. Based upon appearance, it appears the claws are missing and would have once been placed within...
The Eye of Horus is an ancient Egyptian symbol that represents protection, health, and restoration. It’s often associated with the god Horus, who was depicted as a falcon or a man with the head of a falcon. According to Egyptian mythology, Horus lost his eye in a battle with his uncle Seth, but it was...
This ostracon (British Museum. EA8505) was discovered in Deir el-Medina, the site of the famed Worker’s Village (Set Ma’at). The Worker’s Village housed the workmen and their families employed to construct nearby royal and aristocratic tombs. It is officially classified as a heritage site due to the large number of archaeological discoveries left by the...
This face, carved from wood (unknown at the present which type of wood), measures at 22.8cm and was purchased by the British Museum from the collection of the Somerset Lowry-Corry, 2nd Earl Belmore (1774–1841) in 1843. Originally, this wooden face was made to be attached to a coffin, alas, whether it ever was attached to...
This wig made of human hair, also referred to as a “double/duplex wig” due to the two contrasting styles in one piece, would have been worn by a male of elite status in New Kingdom Egyptian society and was discovered in Thebes. The wig is made of real human hair, plaited and tousled, and its...
Tjetji is shown in the classic pose of a standing official, with his left leg advanced, a long staff in his left hand, and a sekhem scepter (now lost) held horizontally in his right hand. The arms of this statue were made separately and pegged to the body, and the feet tenoned into a separate...
Nebamun was a middle-ranking official “scribe and grain accountant” during the period of the New Kingdom in Ancient Egypt. He is thought to have lived ca. 1350 BC and worked at the vast temple complex near Thebes, where the state-god Amun was worshiped. His name was translated as “My Lord is Amun”, and his association...
