The so-called Faiyum portraits; hauntingly lifelike painted panels affixed to mummies from the Roman Period, are often misrepresented as evidence of Greek or foreign settlers in Egypt. Yet the scientific, archaeological, and cultural record tells a very different story. These portraits, dating mainly from the 1st century B.C. to the 3rd century A.D., come chiefly...
This mummy from Hawara, dates from the 1st-2nd Century A.D., and is of a young child aged 2-3 years of age. Barbara Borg FSA (Professor of Classical Archaeology at the Scuola Normale Superiore) and German Egyptologist and Curator Dr. Cäcilia Fluck proposed that the idea of the mummy being a male was incorrect, based upon...
This painter’s palette was carved from a single piece of ivory. Six oval wells contain cakes of pigments including blue, green, brown (?), yellow, red, and black. The oval cartouche at one end encircles the throne name of Amenhotep III, Neb-Ma’at-Re, and the epithet “beloved of Re.” This could mean the palette belonged to an...
This Faiyum portrait of a young woman dates from around 100-200 A.D., and depicts an Egyptian woman with hair tied back in a bun and styled in ringlets, wearing a dusty pink and rust tunic, with thick eyebrows, and baretta earrings. She has a slight Mona-Lisa smile as she gazes ahead. These portraits, known as...
Ostracon are various shards of limestone and/or pottery, which were used by Ancient Egyptian artisans and scribes as a tablet. The term osatracon however, is not just used for the study of Egyptology, but used by historians studying the geographical regions of various other ancient cultures too. These fragmentary pieces have provided vast amounts of...
Pay was a man who lived in the famous workers/artists village of Deir el-Medina, then known as Set Ma’at, which translates to “The Place of Truth”. Pay’s titles tell us that he worked as a draughtsman, a very important role in making sure that both the temples and tombs of the royals and elites of...
This ivory painter’s palette with pigment and inscribed with the throne name of king Amenhotep III; “Nebmaatre, Beloved of Re“. Within the six oval wells, pigment of blue, green, yellow, red and black remains. The remnants of red pigment also appear stained across the ivory palette, indicating use. The palette was acquired by the Metropolitan...
This sandstone sunken relief of a woman dates from the Amarna Period, and it is easy to tell the era she is from due to the style in which she is depicted. The artistic manner is most definitely from the period of Akhenaten’s experimental reign, however, this piece was actually found in Thebes and not...
This reconstructed mummy shroud of a woman and a young boy from Saqqara, with the gods Osiris and Anubis dates from the 2nd Century, A.D. In 2015, conservationists from Moscow, New York and Paris, worked intricately to restore this piece to its former glory, and this below is the result. Notice the removal of the...
Ahmose Nefertari was the sister and Great Royal Wife of king Ahmose I, the first king of the 18th Dynasty. After taking the reins from the Hyksos’s hands and unifying a dismantled Egypt, Ahmose I was the first ruler of Egyptian origin to bring Egypt into what is referred to as it’s Golden Age, also...
