He rises from the stone like a vision half-remembered from creation itself: Akhenaten, carved at a scale that dares the onlooker to step closer and question what they believe a king should be. His arms are crossed in the eternal gesture of sovereignty, cradling the heka and the flail, the twin emblems of divine command....
Amulet in the shape of a cartouche. The glaze is a deep cobalt blue. Two holes at either end enter on the edge and exit on the back of the amulet near the edge. The cartouche is one of the two cartouches used for the Aten and is translated: Ra-Horakhty lives, rejoicing in the horizon....
This gold ring of Akhenaten and Nefertiti was found at Tell el-Amarna. The hieroglyphs may be read as an ideogram. The two seated figures are probably Akhenaten (left) and Nefertiti (right) as the deities Shu (air as indicated by the feather he holds) and Tefnut (moisture). They were father and mother of the earth and...
This relief portrait of Queen Nefertiti comes from a short end of a talatat, a limestone block of standardized size used during the Amarna Period in the building of the Aten temples at Karnak and Akhetaten. The standardized size and their small weight made construction more efficient. The term talatat is most likely derived from...
In this stele, Akhenaten is slouched on a low-backed, cushioned chair with side struts in the form of the ancient royal symbol for the unification of Upper and Lower Egypt, which is partly obscured by the long sash of his pleated kilt. The Aten disk was above him, in the center of the stele. The...
This block of crystalline limestone once graced the railing of a stairway in a temple of the god Aten. It is in the form of a double cartouche, which usually enclosed the name of the king. In this relief instead, the cartouches contain the names of the sun disk Aten, the one god of king...
Carved in sunk relief upon limestone, this tender scene depicts Nefertiti gently kissing one of her daughters, whose small arm affectionately encircles her mother. To the right, three vertical columns of hieroglyphs have suffered mutilation, while above, a single ray of the Aten extends downwards, clasping an ankh, the symbol of life. The artists have...
This exquisitely modelled torso, carved in warm red quartzite, preserves the rounded grace of a woman’s body; soft curves of hip and thigh, a full pubic mound, and the clinging folds of a pleated linen dress. The figure’s head, lower legs, right arm, and left hand are lost, yet what remains still breathes with poise...
This unfinished limestone statue of King Akhenaten kissing his daughter is of high artistic quality. It was discovered in a sculptor’s atelier, or workshop, at Tell el-Amarna. It depicts King Akhenaten supporting on his knee one of his daughters, probably Meritaten. Akhenaten sits on a stool wearing a short-sleeved tunic and the Blue Khepresh Crown...
This cosmetic vase in the form of fish was found in a medium-sized private house at Tell el-Amarna, buried under a plaster floor together with two glass jugs and some metal objects. It is the most spectacular of a small group of fish-form vessels, all representing the ‘bulti’-fish common in the Nile and a standard...
