This life-size quartzite head of Nefertiti was discovered within the remains of the workshop of the Ancient Egyptian sculptor Thutmose at Amarna. Although unmarked, the resemblance to other portraits of Nefertiti identify her clearly. The head is made of quartzite, but has yet to be sanded to create a smooth finish. The face still has...
This limestone talatat shows a depiction of Queen Kiya, secondary wife of Akhenaten, making an offering of a cone of scented fat to the Aten. It is believed, however, that this piece was later reused and usurped to actually depict Akhenaten’s daughter, with his Great Royal Wife Nefertiti, Meritaten. The reason for this belief is...
These talatats (stone fragments) show an Amarna Period scene of Nefertiti within a kiosk upon a royal barge smiting an enemy of Egypt. Usually this pose would be reserved for the king alone, however, as we can see, Nefertiti is clearly depicted in such a position, representing her status at the time of this images’...
This plaster face, dating from the reign of Akhenaten or shortly after his reign ended, is thought to represent a child of the king. The British Museum, where this face resides, has the face archived, identifying it with the likeness of either Tutankhamun or his sister-wife Ankhesenamun. Ankhesenamun, was one of the six daughters of...
Both of these faïence depictions of royal headdresses date from the late 18th Dynasty to possibly early 19th Dynasty. The first, is likely to have been depicted upon the head of a late 18th Dynasty queen, and next is the round crown, as seen adorning the head of kings such as King Amenhotep III. Lavender...
Once in a weary state, this alabaster masterpiece was discovered dismantled within a cache at Karnak Temple (Luxor, Egypt). It appears that upon the ancient dismantling, the inlaid stones which once filled the eye and eyebrow sockets were removed, as were the likely real and pure golden cuffs that adorned the king’s wrists, placed strategically...
This sandstone sunken relief of a woman dates from the Amarna Period, and it is easy to tell the era she is from due to the style in which she is depicted. The artistic manner is most definitely from the period of Akhenaten’s experimental reign, however, this piece was actually found in Thebes and not...
Parennefer was a close advisor to Prince Amenhotep IV (King Akhenaten), before he became king. Once Amenhotep IV, or rather, King Akhenaten, took the throne, Parennefer served as his personal Royal Butler, and worked closely as a confidant to the king. In the age of Akhenaten, it was Akhenaten who was the representation of Ma’at...
A head of king Akhenaten made from Egyptian jasper or porphyry. This head of Akhenaten is similar to portraits of the king that we believe come from early in his reign. The less exaggerated features of the soon-to-be “Amarna Period”, this serene, slight smile of the young king looks ahead, as he wears the blue...
Ushabti of king Akhenaten from Amarna (ancient Akhetaten – Akhenaten’s experimental ‘new capital’ that was dismantled upon his death. A Ushabti was a figurine representing the deceased that would help with duties in the Afterlife. A Ushabti (Egyptian: wšbtj or šwbtj) was a funerary figure in the form of the likeness of the deceased, and...
