This limestone fragment was once a part of a full scene that appears to be depicting the king’s procession (almost certainly, king Akhenaten) as he arrived at the temple. On the far left of the fragment, you can see the elbow and arm of a trumpeter, who blows his horn as women in translucent linens...
This statue depicts a king, almost certainly Akhenaten, and is made from yellow limestone. The king holds the heqa scepter (crook and flail), and is seated upon a cushioned throne, wearing a pleated linen kilt, and a striped nemes headdress with the royal insignia of a uraeus upon the centre of his forehead. Often overlooked...
“The parts that are not there, the loss, give it even more power.”– Barry X Ball, American sculptor. The Artist Project, 2016. This fragmentary head of a queen dates from the Amarna period, and it likely depicts king Akhenaten’s mother Queen Tiye, however this is not certified, and it could in fact be a daughter...
This small fragmentary head made from white limestone is clearly of the Amarna Period. During Akhenaten’s reign, royal portraiture witnessed significant changes., there are numerous sculptures of Akhenaten and his royal household which deviate from traditional depictions of the monarchy. Akhenaten is sometimes shown what some deem “androgynous” and highly stylized, with huge thighs, a...
Made of indurated limestone, this torso of Nefertiti was discovered in the remnants of the Sanctuary of the Great Aten Temple, possibly found within a pit just south of the temple, during the Petrie/Carter excavations, 1891–92. The statue would have been a part of a double statue depicting Nefertiti alongside her husband, king Akhenaten, making...
This plaster head of king Akhenaten was discovered within the remnants of the studio of the sculptor Thutmose at Tel el-Amarna (House P 47.02, Room 19). House P 47.02, Room 19, is the same location where the famous painted limestone bust was also discovered. Photographs of both the painted bust of Nefertiti and this plaster...
These heads, discovered within the remnants of the studio of the sculptor Thutmose at Tel el-Amarna, clearly depict king Akhenaten and his Great Royal Wife Nefertiti. Despite no markings, based upon appearance alone we can almost certainly identify the royal pair. The heads are made of plaster (stucco) and are life-sized. Stucco is applied wet...
This limestone striding figure of Nefertiti was unearthed in the archaeological remnants of the sculptor Thutmose’s workshop, within the remains of the same room (Amarna House P 47.02. Room 19) where the famous bust of the queen was discovered in 1912 by Ludwig Borchardt, at Tel el-Amarna. The figure was discovered in several fragments and...
This white limestone relief fragment shows an unidentified queen clutching a thick usekh collar in her raised left hand. Dressed in a translucent pleated garment with a headdress ornamented with a double uraei, cow horns, double plume and sun disc in the centre, the queen has divine status. The plumes are streaked with blue, brown,...
This sandstone fragmented relief depicts Nefertiti wearing the so-called “Nubian wig” with uraeus. Blue pigment of the headdress remains in places, as with the reddish of Nefertiti’s skin. The profile is instantly recognizable with the famous bust of the queen and is delicately carved with a swan like neck, accompanied by a profile carving of...
