Thutmose’s workshop was discovered in early December 1912 by a German archaeological expedition led by Ludwig Borchardt. The workshop was located in what is now known as Amarna, previously called Akhetaten, the then new capital established by Akhenaten. The workshop was identified as belonging to Thutmose due to an ivory horse blinker found in a...
Akhenaten’s devotion to the Aten was not just religious; it was artistic and philosophical. In hymns likely written or commissioned by the king himself, such as the Great Hymn to the Aten, Akhenaten exalts the sun’s warmth as the giver of all life, with language that reads more like sacred poetry than royal decree. This...
King Akhenaten (Amenhotep IV), often thought of as a dreamer-philosopher in a land of warrior-kings, cast aside the mighty pantheon of deities and raised his gaze to a single blazing sun: the Aten. With eyes wide to the heavens and feet planted in the desert dust, he declared a revolution not of armies, but of...
This blue glazed amuletic wand or throw stick, inscribed for king Akhenaten with the protective Wedjat-eye, showcases the evolving artistic and ritual sensibilities of the Amarna Period. Unlike earlier boomerang-shaped hunting sticks, its shallow curve and delicate form suggest a ceremonial or symbolic function, perhaps as a ritual baton or club. Each side is adorned...
This head of an Amarna Period female royal was found within the remnants of the workshop of the sculptor Thutmose. Sculpted from quartz with traces of pigment upon the lips and eyes, the face is that of a young female, possibly and likely a daughter of Akhenaten and Nefertiti, but there is a possibility it...
Interestingly, the Harper’s Song accompanying this scene within the Chapel of Pa-Aten-Em-Heb, has a somewhat agnostic lyric, telling the listener through song, that lamenting and worrying about an Afterlife is seldom constructive, and one should enjoy life on Earth, rather than obsess and worry over death: “Make holiday, don’t weary of it/ Look, there is...
Ankhesenamun was born Ankhesenpaaten, and was the daughter of Nefertiti and Akhenaten. It is believed she was born around 1350 B.C., the third daughter of the royal couple, born in year 5 or 6 of Akhenaten’s reign. Ankhesenpaaten, which translates to, “She Lives Through the Aten” or “Living Through the Aten,” later went on to...
This limestone fragment was once a part of a full scene that appears to be depicting the king’s procession (almost certainly, king Akhenaten) as he arrived at the temple. On the far left of the fragment, you can see the elbow and arm of a trumpeter, who blows his horn as women in translucent linens...
This statue depicts a king, almost certainly Akhenaten, and is made from yellow limestone. The king holds the heqa scepter (crook and flail), and is seated upon a cushioned throne, wearing a pleated linen kilt, and a striped nemes headdress with the royal insignia of a uraeus upon the centre of his forehead. Often overlooked...
“The parts that are not there, the loss, give it even more power.”– Barry X Ball, American sculptor. The Artist Project, 2016. This fragmentary head of a queen dates from the Amarna period, and it likely depicts king Akhenaten’s mother Queen Tiye, however this is not certified, and it could in fact be a daughter...
