Akhenaten

The mummy of Yuya, Grandfather of Akhenaten

The mummy of Yuya was found partially wrapped with only his torso being divested of wrappings by ancient robbers. When the body of Yuya was removed from his innermost coffin, a partially strung necklace composed of large gold and lapis lazuli beads was found behind his neck, where it had presumably fallen after being snapped...

Amarna Princess Perfume Bottle

Amarna Princess Perfume Bottle

This perfume bottle, with a depiction of an Amarna princess stood upon a lotus blossom, is in the shape of a hes-vase. It is made from Egyptian alabaster, with an inlay of coloured glass, carnelian, obsidian and gold. A hes-vase is named after the “hes” hieroglyph. The hes-vase was used as a libation vessel, meaning,...

Painted clay Tilapia fish. New Kingdom, 18th Dynasty, c. 1390-1336 B.C. Brooklyn Museum. 48.111

Painted clay Tilapia fish

This Tilapia fish, is delicately painted with a pastel type colour scheme of oranges and blues, which were quite popular within the reign of Amenhotep III and his son king Akhenaten’s. However, it is not just the paintwork of this fish which is catching to the eye, this small relic holds a specific purpose that...

Tomb of Neferhotep TT49

Tomb of Neferhotep TT49

A woman’s offerings became clear after laser cleaning New Kingdom, 18th Dynasty, c. 1320 B.C. Thebes, Tomb of Neferhotep (TT49). Since its construction, the tomb of Neferhotep (late 18th Dynasty) had been used for storing cattle and even as housing. When Jean-François Champollion entered the tomb, he wrote, “Now the tomb is almost completely damaged....

Unknown Amarna royal, possibly Tutankhamun or some propose it is the likeness of the mysterious Smenkhkare

Unknown Amarna royal

This limestone bust of an Amarna royal has never been officially identified, yet the Neues Museum in Berlin does display it with the title of Tutankhamun, which is a likely possibility, others propose that it may be the mysterious 18th Dynasty ruler Smenkhkare. Who it is depends on the scholar, and your own thoughts at...

Face and upper torso of king Akhenaten

Face and upper torso of king Akhenaten

This fragment depicts face and upper torso of Akhenaten with the exaggerated but sensitive features characteristic of representations of this king. The full scene would have shown the king worshiping his sole god, the Aten. This relief is currently on long-term loan to the Ägyptisches Museum und Papyrussammlung in Berlin. Akhenaten was a progressive king...

Daughter of Nefertiti & Akhenaten. Amarna Princess

Amarna Princess – Daughter of Nefertiti & Akhenaten

This head of an unknown princess dates from the Amarna Period, and the family resemblance among the sculptures of the period is noticeable here. The youthful face and enlarged, elongated heads tended to be a choice for the Amarna artists to depict the daughters of the king. Found in Amarna, this head is now on...

Is this the face of Queen Kiya?

Egyptian Alabaster Canopic jar of a queen

Egyptian-Alabaster Canopic jar of an 18th Dynasty queen, found within tomb KV55. New Kingdom, 18th Dynasty, Amarna Period, c. 1349–1330 B.C. One of four Canopic jars believed to have belonged to Akhenaten’s secondary wife, Queen Kiya. Despite being associated with Kiya, the image of the beautifully carved wig adorned royal upon the jar lids has...

Skeletonized mummy of KV55 (Akhenaten?)

Skull from the skeletonized mummy of KV55, believed by some to be that of king Akhenaten, whereas others propose it may be the mysterious king Smenkhkare. The skeleton was found in a vandalised coffin, with a vulture pectoral upon him. Recent C.T. scan analysis of the skeletal remains, put the age range of these bones...

Mummy of the Younger Lady

Tutankhamun’s mother (The Younger Lady)

The mummy known as “The Younger Lady”, formally identified as the mother of king Tutankhamun and full biological sister of the mummy known as KV55 (believed by some scholars to be that of Akhenaten but not officially certified), is a daughter of king Amenhotep III and his Great Royal Wife, Tiye. Modern analysis of “The...