A tender and unexpectedly gentle vision of Akhenaten greets us here; not the exaggerated, long (almost lion-like) faced king of the Amarna reliefs, but a softer, quieter sovereign in painted limestone. A faint flush of red still clings to his lips, a ghost of the colours that once enlivened his courtly presence. Upon his brow...
Among the loveliest relics of the Amarna Period are a handful of carved slabs, now scattered across the world (from the Kestner Museum in Hanover to the Museum of Fine Arts, Boston, and the Brooklyn Museum of New York) showing Akhenaten as a human-headed sphinx. He crouches in the classic pose, forepaws extended, muscles taut...
This finely carved limestone head depicts Akhenaten, the pharaoh who reshaped Ancient Egypt’s religion and art in devotion to the Aten, the radiant sun-disc. The king wears the blue war crown (khepresh), its smooth form contrasting with the sensitive modelling of his features. Traces of red pigment still tint the lips, lending warmth to the...
This pylon, or gateway, was discovered at Tell el-Amarna. It is related to the cult of the royal family, which has been noticed in steles found in private houses at Amarna. It was believed that the royal family acted as intermediaries between the gods and the people. This example is a household altar, or shrine,...
Nefertiti, one of the most known figures of the ancient world. Her face is instantly recognisable, from Cairo to Berlin, alas, behind that famous visage lies a figure shrouded in mystery. Beyond the sculpted grace of surviving artworks, we know remarkably little. Her origins remain uncertain, her early life lost to time. We do not...
Amenhotep III and his Great Royal Wife, Tiye‘s firstborn son, was a prince named Thutmose. As the eldest royal son, he was heir to the throne, and so Thutmose bore prestigious titles such as High Priest of Ptah, indicating his early grooming for both religious and royal responsibilities. A carved statuette depicting him as a...
Akhenaten’s devotion to the Aten was not just religious; it was artistic and philosophical. In hymns likely written or commissioned by the king himself, such as the Great Hymn to the Aten, Akhenaten exalts the sun’s warmth as the giver of all life, with language that reads more like sacred poetry than royal decree. This...
King Akhenaten (Amenhotep IV), often thought of as a dreamer-philosopher in a land of warrior-kings, cast aside the mighty pantheon of deities and raised his gaze to a single blazing sun: the Aten. With eyes wide to the heavens and feet planted in the desert dust, he declared a revolution not of armies, but of...
This blue glazed amuletic wand or throw stick, inscribed for king Akhenaten with the protective Wedjat-eye, showcases the evolving artistic and ritual sensibilities of the Amarna Period. Unlike earlier boomerang-shaped hunting sticks, its shallow curve and delicate form suggest a ceremonial or symbolic function, perhaps as a ritual baton or club. Each side is adorned...
This small statue, which depicts King Akhenaten making offerings, was discovered in a house in the residential area of Tell el-Amarna. This type of statuette served as a figurative embodiment of the human pharaoh, enabling the magic rituals in the celebration of religious rites connected with Aten. Akhenaten was a pharaoh who reigned during the...
