Quartzite triad statue of Rawer; standing, left leg forward, arms along the body, hands closed in fist, same garment, the central figure wearing round plait wig; the two others have long wig. Inscription on the back. Owner of G 8988. Son of Itisen and Hetepheres. Entrance architrave, lintel and facade inscribed for Rawer, identified as...
Fragment of a relief depicts king Unas being suckled by unidentified goddess. These reliefs are often found in temple complexes and tombs, and they serve as visual representations of the divine nature and legitimacy of the king. The concept of a king being suckled by a goddess is often seen as a metaphorical representation of...
Ptahshepses in this statue is portrayed as a scribe sitting on the ground with his legs crossed. He has a partly unrolled papyrus on his knees, a common “reading scribe” posture in Ancient Egypt. A heart-shaped amulet hangs around his neck with a counterpoise at the back. The head of Ptahshepses is inclined gently toward...
The nursing woman sits on the ground with one knee raised. Against the hammock of cloth formed by her skirt stretched over her knee she holds a child whose yellow skin indicates she is a girl. With one hand the woman holds the child’s head, while with the other she offers her breast to the...
The statue of Snofru-nefer is a prime example for demonstrating the fundamental principles of the Egyptian sculptor. He was the principal singer and the overseer of amusements at the royal court. The upright posture and the positioning of the arms at a straight angle with the shoulders demonstrate the strict adherence to straight angles. The...
With titles such as, “Overseer of the Bureau of Tentantry of the Court“, “Overseer of the Office of the Palace of Tenants”, “Liege of the King of the Great Palace”, Metjetji was clearly a wealthy man of elite status. It is believed he worked directly with the king and possibly played an important role in...
Painted limestone statue of Raherka and Meresankh. Raherka held high administrative responsibilities. He was an “inspector of scribes of the jackal”. Meresankh’s title was “King’s acquaintance”, which means she had access to the royal palace. The couple is known from their beautiful pair-statue, which is an example of portraiture in Ancient Egypt. The statue is...
Limestone statue of the dwarf Khnumhotep, “Overseer of Ka-priests”, and dancer at the funeral of the Sacred Bulls.Old Kingdom, 6th Dynasty, c. 2350–2170 B.C.Saqqara. Khnumhotep, the priest and overseer of the royal wardrobe, was an Egyptian dwarf who suffered from physical deformity. He is represented with his torso exaggeratedly large in proportion to his short...
In this Old Kingdom, Late 5th Dynasty, triad statue, dating from approximately 2455-2350 B.C., we see an Ancient Egyptian style family portrait of a man called Ni-ka-re (Nykara), his wife Ni-ka.w-nb (.w) and their son Ankh-ma-re. Such statues were often placed in tombs for offerings to be received, yet they were also placed within households...
The pair statue is identified by an inscription painted on the base in black paint as Ptahkhenuwy, supervisor of palace retainers. Private sculpture of the Old Kingdom copied royal sculpture: the poses, youthful body forms, and the wife’s embrace of the husband in this private sculpture is the same as those of King Menkaure and...
