Amenemipet was a distinguished priest of Amun during Egypt’s Third Intermediate Period, roughly between 950 and 900 B.C. (Late 21st–early 22nd Dynasty) who steps from the painted panels of his own coffin as a figure of refined piety and quiet authority, likely serving at the cult centre of Deir el-Bahari where he acted as a...
Delicate yet imbued with potent symbolism, this captivating pendant dates from the Third Intermediate Period. With the twilight centuries of the New Kingdom now past, this miniature masterpiece of sacred adornment evokes the lingering splendour of a once radiant golden age. Fashioned from rich gold and vivid turquoise (a gemstone revered in Ancient Egyptian thought...
Butehamun was a distinguished scribe who was born and raised in the Deir el-Medina region, and resided in Medinet Habu, living during the 29 year reign of Ramesses XI, he died in early stages of the Third Intermediate Period. Born into a lineage of scribes, he followed in the footsteps of his father, Thutmose, embracing...
Butehamun was a distinguished scribe who was born and raised in the Deir el-Medina region, and resided in Medinet Habu, living during the reign of Ramesses XI, he died in Third Intermediate Period. Born into a lineage of scribes, he followed in the footsteps of his father, Thutmose, embracing a life devoted to the written...
Amid the chaos and turmoil of World War II, as the world was gripped by conflict and uncertainty, a dazzling revelation emerged from the sands of antiquity—a discovery that would captivate archaeologists and historians alike. In 1940, in the remnants of Tanis, an ancient city shrouded in mystery within Egypt’s Nile Delta, French archaeologist Pierre...
The inner coffin lid of Henuttawy is painted yellow all over, imitating royal coffins made of solid gold or gilded wood. The pectoral is only slightly less elaborate than the one on her outer lid (25.3.182a, b). Its main feature is a large scarab that pushes a sun disk upward to symbolize the rising sun....
The outer coffin of Butehamun shows stylistic features that are still typical for the Ramesside Period (1292-1076 BC), but the growing space devoted to images is a feature of the new “yellow coffin” style. The image repertoire is expanded, combining typical New Kingdom elements with Third Intermediate Period Theological creations. Butehamun’s set of coffins, probably...
This gold vase or bowl of Psusennes I with carved stripes on the body reveals the fine taste and skills of the craftsmen of the period. It bears four cartouches engraved on it, saying “The Adoratress of Hathor Henuttawy, Mother Divine of Khonsu, Aakheperre chosen of Amun, Psusennes beloved of Amun.” It is unclear if...
Lady of the House; Chantress of Amun-Ra, Tentosorkon, as appearing in her Papyrus (Book of the Dead), discovered in Thebes. c. 945 B.C. British Museum. EA9919,2 The name means ‘The (female) servant of Osorkon’. Tentosorkon (That of Sorkon), a name of Libyan origin which appeared around the 21st dynasty in the Delta, and was popularised...
The outer coffin lid of Henuttawy, intended to resemble a wrapped mummy, wears an elaborate pectoral topped by a cavetto cornice in the shape of a small shrine within which are two winged wadjet eyes, with suspended uraeus cobras holding ankhs. Below these, Horus falcons flank a central scarab that pushes a sun disk upward,...
