One of the most typical royal scenes is reproduced on this illustrated ostracon, king Ramesses III in the act of crushing the defeated enemy. The scene was widely used on pylons and external walls of temples. On this piece the king is shown upright, his head adorned with red crown topped by the two feathers...
This ostracon is depicting a scribe as a prayer, drawing on a piece of limestone. The ancient Egyptians drew on ostraca for a variety of reasons; for example, while planning work on tombs or as exercises. Ostraca are simple splinters of limestone or shards of pottery, on which the ancient Egyptians wrote or drew. This...
In the center of the lid of this sarcophagus, King Ramesses III is depicted as the god Osiris in mummy form. On his head he wears the Atef crown composed of ostrich feathers, a sun disk and a pair of ram’s horns. Emerging from his forehead is a uraeus, the royal symbol of protection. The king...
Apparently, King Ramesses V died in his early thirties and this is perhaps the reason for the appropriation of his tomb by his successor, Ramesses VI. Nevertheless, the mummy later found its way to the Royal Cachette (DB320) at Deir el-Bahari. The king’s face was painted in red and his nostrils were filled with wax....
This grey granite statue of King Ramesses III as a Standard Bearer of Amun-Re was found in Karnak in the temple of Amun-Re. Depicting himself as a high priest allowed Ramesses III to symbolically attend all ceremonies in every temple. Engraving his images on the walls and installing his statues in the temples magically ensured...
The first workers strike in recorded history took place in the 12th Century BC in Egypt. Even though they regarded the king as a kind of living god, Egyptian workers were not afraid to protest for better working conditions. The most famous example came in the 12th century BC during the reign of the New...
Decorations show scenes from the Amduat or “Book of What is in the Underworld”, detail of a wall carving in the second corridor of the Tomb of Ramesses IX (KV6). “Amduat (What is in the Netherworld) was used in Ancient Egypt as a generic name for descriptions of the netherworld, but in modern Egyptology is reserved...
The statue of King Ramesses VIII presenting Amun-Re is an example of hasty workmanship. It lacks vigor. One of the few statues that survive from the Ramesside Period, it demonstrates that the great era of creativity had ended. The face of the statue is heavy with a troubled expression devoid of interior strength. The wig,...
Statue of King Ramesses VI standing, grasping the hair of a Libyan captive in his left hand and an axe in his right. A short military campaign might have ensued and from Ramesses VI’s second year on the throne onwards these troubles seem to have stopped. This campaign could be connected with an unusual statue...
Painted wood ushabti ‘funerary figurine’ of the king Ramesses IV. Funerary figurines, known as “ Ushabtis” by the Egyptians (which means “those who answer”) are viewed as typical ancient Egypt objects. They represent the deceased in the form of a mummy in osirifide position. The figure’s name, headdress, and any hand-held accessories are the only way...
