Among the many treasures of Ancient Egypt lies a remarkably well-preserved mummified dog, a testament to the deep bond between Egyptians and their canine companions. Dogs were domesticated in Egypt and, much like today, were cherished as loyal pets. Depictions on temple walls and artefacts show hunting and battle scenes featuring pharaohs in chariots, accompanied...
Nebamun was a middle-ranking official “scribe and grain accountant” during the period of the New Kingdom in Ancient Egypt. He is thought to have lived ca. 1350 BC and worked at the vast temple complex near Thebes, where the state-god Amun was worshiped. His name was translated as “My Lord is Amun”, and his association...
This statue depicts a king, almost certainly Akhenaten, and is made from yellow limestone. The king holds the heqa scepter (crook and flail), and is seated upon a cushioned throne, wearing a pleated linen kilt, and a striped nemes headdress with the royal insignia of a uraeus upon the centre of his forehead. Often overlooked...
The Ba is a part of a person’s non-physical spiritual nature. After death, the Ba might leave the tomb, but it had to return to the tomb on a regular basis to reconnect with the mummy. The Ba was frequently shown as a bird with a human head, and occasionally with human arms. This Ba...
This fragmentary limestone bust depicts the Royal Scribe, Méniou. Traces of pigment remain of black upon the wig, eyes and brows, giving this fragmentary piece a striking appearance, despite its disfigurement. Méniou wears an elaborate usekh collar and pleated linen tunic, indicating his status in society. His wig is shoulder-length and finely detailed with intricate...
The faces on most statues of Amenhotep II differ slightly from those of his two immediate predecessors. Compared with the sculpture of Thutmose III or Hatshepsut exhibited nearby, for example, this statue’s face is a little longer, the eyes somewhat narrower, the brows a bit straighter, the nose slightly thicker, and the mouth less curved....
Made from the wood from a sycamore fig tree, this painted statuette of a woman dates from the 18th Dynasty, c. 1427-1353 B.C. The woman depicted wears a beautiful linen white gown that is sleeveless on one side. This style of fashion was seemingly popular among the elite and royalty of the time, as we...
“The parts that are not there, the loss, give it even more power.”– Barry X Ball, American sculptor. The Artist Project, 2016. This fragmentary head of a queen dates from the Amarna period, and it likely depicts king Akhenaten’s mother Queen Tiye, however this is not certified, and it could in fact be a daughter...
This painter’s palette was carved from a single piece of ivory. Six oval wells contain cakes of pigments including blue, green, brown (?), yellow, red, and black. The oval cartouche at one end encircles the throne name of Amenhotep III, Neb-Ma’at-Re, and the epithet “beloved of Re.” This could mean the palette belonged to an...
The Victory Stele of Amenhotep III The stele, was erected to commemorate King Amenhotep III’s (c. 1391-1353 BC) triumph over his opponents. This part displays two concurrent scenarios, with the king standing in his horse-drawn chariot. Above him, the goddess Nekhbet extends her protective wings, symbolising life, stability, and dominion. A quiver of arrows hangs...
