18th Dynasty

Book of the Dead of Neferoubenef

More than 3,400 years ago, an Egyptian royal chamberlain named Neferoubenef commissioned a beautifully illustrated Book of the Dead to accompany him into eternity. Today, twelve surviving fragments of this remarkable papyrus are preserved in the Louvre Museum, offering a vivid glimpse into how one man hoped to overcome the dangers of the afterlife and...

Serpentinite Amenhotep III

Although now missing its head, this finely carved figure still conveys the quiet authority of one of Egypt’s greatest pharaohs. Amenhotep III strides forward with his left foot advanced, a timeless pose symbolising royal power and eternal life. In his right hand he carries a shepherd’s crook resting upon his shoulder, an emblem of the...

Ivory Dog with Fish

This delightful hippopotamus ivory puppy, carved during the late 18th Dynasty (c. 1350–1300 B.C.), is captured in the unmistakable pose of play, with its front legs lowered, hindquarters raised, and long bushy tail curled around its body. Its floppy ears, carefully modelled features and collar, which still preserves traces of gilding, reveal the remarkable skill...

Menkaret Bearing the Osiride King

Carved in elegant, elongated form, this striking figure represents the goddess Menkaret striding forward, supporting upon her head the mummiform, Osiride image of King Tutankhamun. The king is rendered as Osiris, lord of the afterlife, signifying his rebirth and eternal sovereignty beyond death. Menkaret, a protective and regenerative deity, here embodies divine support (both physical...

Akhenaten and Nefertiti

Known as “The Wilbour Plaque“, named after American Egyptologist Charles Edwin Wilbour (1833–1896), who purchased the piece in 1881. It currently resides in America at the Brooklyn Museum (16.48) in NYC. It is thought this piece was originally part of a larger scene, and was used as a reference piece for royal artisans. There is...

Amarna Princesses

This fragment of wall painting, often known as the “Princess Fresco”, formed the lower portion of a larger decorative scene from the royal palace at Amarna, the city founded by Akhenaten. The scene depicts the king and his queen, Nefertiti, relaxing informally with their daughters within the palace residence. Two of the princesses are shown...

Heset Ewer of Ahmose I

Heset Ewer of Ahmose I

Hes-ewers were used for pouring ritual libations. It is not known how it came to be in the tomb of Psusennes I in Tanis on the east bank of the Nile in Lower Egypt. Ahmose fought against the Hyksos, and it is possible that it came from a monument of his reign in the eastern...

The Honouring of Horemheb

This finely carved limestone relief once adorned the tomb chapel of Horemheb, at a time when he was still a general serving under Tutankhamun. It records a moment of high ceremonial theatre, showcasing Horemheb’s huldiging, or formal honouring, for military and diplomatic success. At the centre, attendants place heavy gold collars around Horemheb’s neck. This...

Kneeling Woman from Senenmut’s Tomb

This limestone relief fragment (Met Museum. 36.3.239) once formed part of a statue niche in the offering chapel of Senenmut, the influential official of the female pharaoh Hatshepsut. The surviving hieroglyphs above a kneeling woman most likely identify her as “his beloved sister Ahmose,” a reading reinforced by a wooden Osiris figure dedicated to a...

Head of Amun

Carved in dark granodiorite, this commanding head of Amun bears features closely aligned with those of Tutankhamun, marking it as a royal commission of his reign. Though acquired in Cairo in 1907, the sculpture was almost certainly created for Karnak, Amun’s great temple at Thebes. The head belongs to the young king’s programme of restoration,...